Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 141
... John ” : New Per- spectives . Newark : U of Delaware P , 1989 . Danby , John F. Shakespeare's Doctrine of Nature : A Study of " King Lear . " 1948. London : Faber , 1957 . Elton , William R. " King Lear " and the Gods . 1966 . Lexington ...
... John ” : New Per- spectives . Newark : U of Delaware P , 1989 . Danby , John F. Shakespeare's Doctrine of Nature : A Study of " King Lear . " 1948. London : Faber , 1957 . Elton , William R. " King Lear " and the Gods . 1966 . Lexington ...
Seite 142
... John and the Bastard . " Curren - Aquino 136- 43 . Rackin , Phyllis . Stages in History : Shakespeare's En- glish Chronicles . Ithaca : Cornell UP , 1990 . Reese , M. M. The Cease of Majesty : A Study of Shake- speare's History Plays ...
... John and the Bastard . " Curren - Aquino 136- 43 . Rackin , Phyllis . Stages in History : Shakespeare's En- glish Chronicles . Ithaca : Cornell UP , 1990 . Reese , M. M. The Cease of Majesty : A Study of Shake- speare's History Plays ...
Seite 145
... John Harrington shrewdly observed , is no rebel at all : ' Treason doth never prosper ; what's the reason ? / For if it prosper , none dare call it treason . ' This cynical epigram is not the gospel according to Machiavelli - it ...
... John Harrington shrewdly observed , is no rebel at all : ' Treason doth never prosper ; what's the reason ? / For if it prosper , none dare call it treason . ' This cynical epigram is not the gospel according to Machiavelli - it ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 143 |
Urheberrecht | |
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action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York