Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
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Seite 161
... Iago's impersonation of Cassio does not consist of these phrases only ; it is supplemented by what might be called ' attributed acts . ' According to the fabrication , Cassio grips Iago's hand , kisses him , lays his leg over his thigh ...
... Iago's impersonation of Cassio does not consist of these phrases only ; it is supplemented by what might be called ' attributed acts . ' According to the fabrication , Cassio grips Iago's hand , kisses him , lays his leg over his thigh ...
Seite 203
... Iago calls forth a world , I will argue , in which he can see his own darkness localized and reflected in Othello's blackness , or rather in what he makes - and teaches Othello to make - of Othello's blackness . Iago's voice inducts us ...
... Iago calls forth a world , I will argue , in which he can see his own darkness localized and reflected in Othello's blackness , or rather in what he makes - and teaches Othello to make - of Othello's blackness . Iago's voice inducts us ...
Seite 206
... Iago's injured " I " -his sense that he is chronically slighted and betrayed , his sense of self - division - produces ( or perhaps is produced by ) fantasies of his body as penetrated and contaminated , especially by Othello . In fact ...
... Iago's injured " I " -his sense that he is chronically slighted and betrayed , his sense of self - division - produces ( or perhaps is produced by ) fantasies of his body as penetrated and contaminated , especially by Othello . In fact ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago identity imagination King lago lago's language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York