Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 42Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 14
Seite 96
... Coppélia Kahn points out that it depends on three things : First , misogyny , in particular the belief that all women are lustful and fickle ; second , the double standard , by which man's infidelity is tolerated , while woman's is an ...
... Coppélia Kahn points out that it depends on three things : First , misogyny , in particular the belief that all women are lustful and fickle ; second , the double standard , by which man's infidelity is tolerated , while woman's is an ...
Seite 97
... Coppélia Kahn , " The Absent Mother in King Lear , " in Rewriting the Renaissance , ed . Margaret W. Ferguson , Maureen Quilligan , and Nancy J. Vickers ( Chicago : University of Chicago Press , 1986 ) , 33-49 . ' Stephen Orgel ...
... Coppélia Kahn , " The Absent Mother in King Lear , " in Rewriting the Renaissance , ed . Margaret W. Ferguson , Maureen Quilligan , and Nancy J. Vickers ( Chicago : University of Chicago Press , 1986 ) , 33-49 . ' Stephen Orgel ...
Seite 231
... Coppélia Kahn ( Baltimore : Johns Hopkins Univ . Press , 1980 ) , pp . 129-49 . See also Coppélia Kahn , " The Milking Babe and the Bloody Man in Coriolanus and Macbeth , " in Man's Estate : Masculine Identity in Shakespeare ( Berkeley ...
... Coppélia Kahn ( Baltimore : Johns Hopkins Univ . Press , 1980 ) , pp . 129-49 . See also Coppélia Kahn , " The Milking Babe and the Bloody Man in Coriolanus and Macbeth , " in Man's Estate : Masculine Identity in Shakespeare ( Berkeley ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
16 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago identity imagination King lago lago's language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York