His house was known to all the vagrant train; Sate by his fire, and talked the night away- His pity gave, ere charity began. Thus to relieve the wretched was his pride, And e'en his failings leaned to virtue's side; He watched and wept, he prayed and felt for all; Beside the bed where parting life was laid, With ready zeal, each honest rustic ran; E'en children followed, with endearing wile, And plucked his gown, to share the good man's smile. His ready smile a parent's warmth exprest; Swells from the vale, and midway leaves the storm, And e'en the story ran that he could gauge. In arguing, too, the parson owned his skill, OLIVER GOLDSMITH. "The Village Preacher," in "The Deserted Village.” VOLUME OF TONE Adequate volume of voice is necessary in order that the public speaker, when occasion demands, should be able to fulfil all requirements. A voice suited to conversation may be wholly unsatisfactory when used in a large hall. How many men, addressing an audience probably for the first time, have been startled and embarrassed by the thinness and strangeness of their own voice. Proper development of volume of tone, together with a little experience in public speaking, should enable an average person to readily adapt his voice to any ordinary auditorium. His aim should be to be easily heard in all parts of a hall, without undue elevation of pitch or noticeable physical effort. Volume of voice does not necessarily mean loudness but rather fulness of tone. Its character is that of depth, roundness, and adequateness. It suggests power in reserve. It therefore inspires confidence both in the speaker and the hearer. As the voice grows through use, volume is to be acquired by practising daily exercises such as are here suggested. In all such practise there should be physical earnestness if the best results are to be secured. Halfhearted, lackadaisical efforts in any pursuit accomplish little. The student should bring his will to bear upon his work. Enthusiasm in the practise of voice exercises will naturally communicate itself to the speaker's public efforts. It was the custom of Henry Ward Beecher to exercise his voice daily in the open air, exploding it upon all the vowel sounds. As a result of this practise, extending over a period of three years, he developed a voice remarkable for its power and flexibility. The following combinations should be practised aloud, in clear-cut tone. with abrupt movement of the abdominal muscles: KEY OF SOUNDS: e as in heal; a in hail; aw in haul; ah in hot; o in hole; oo in boot. EXAMPLES FOR PRACTISE IN VOLUME 1. There is a pleasure in the pathless woods, What I can ne'er express, yet can not all conceal. Roll on, thou deep and dark blue Ocean-roll! Stops with the shore;-upon the watery plain When for a moment, like a drop of rain, The armaments which thunderstrike the walls These are thy toys, and, as the snowy flake, Thy shores are empires, changed in all save thee- Thou glorious mirror, where the Almighty's form Calm or convulsed-in breeze or gale or storm, Dark heaving;-boundless, endless, and sublime The image of Eternity-the throne Of the Invisible; even from out thy slime The monsters of the deep are made; each zone Obeys thee: thou goest forth, dread, fathomless, alone. |