Hamlet, Band 1Lippincott, 1905 |
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Ergebnisse 1-5 von 98
Seite v
... character to be separated from the context . This difference in the treatment of verbal and æsthetic criticism is observed solely with reference to the arrangement of the mass of material , not because æsthetic criticism is inferior in ...
... character to be separated from the context . This difference in the treatment of verbal and æsthetic criticism is observed solely with reference to the arrangement of the mass of material , not because æsthetic criticism is inferior in ...
Seite vii
... character , Hamlet , has been assumed to be very nature , and if we fail to reach a solution of the problem it presents , the error lies in us and in our analysis ; not in SHAKESPEARE . Such have been the revelations of the wisdom and ...
... character , Hamlet , has been assumed to be very nature , and if we fail to reach a solution of the problem it presents , the error lies in us and in our analysis ; not in SHAKESPEARE . Such have been the revelations of the wisdom and ...
Seite ix
... Characters , on the Duration of the Action , on Garrick's Version , and on Actors ' Interpretations ; it is greatly to be regretted that in this last department our accounts of how great actors spoke are so meagre . As CIBBER says of ...
... Characters , on the Duration of the Action , on Garrick's Version , and on Actors ' Interpretations ; it is greatly to be regretted that in this last department our accounts of how great actors spoke are so meagre . As CIBBER says of ...
Seite x
... character of Hamlet . It has been hardly possible to ob- serve this rule with absolute strictness . TIECK's theory in regard to Ophelia's relationship to Hamlet bears so intimately upon the cha racter of both , and has made so deep an X ...
... character of Hamlet . It has been hardly possible to ob- serve this rule with absolute strictness . TIECK's theory in regard to Ophelia's relationship to Hamlet bears so intimately upon the cha racter of both , and has made so deep an X ...
Seite xiii
... character was unprecedented in Germany , and can be paralleled only by Mr IRVING'S recent success in London . Fine ... character , yet as a piece of criticism it filled Lord MA CAULAY with wonder and despair , ' and still underlies most ...
... character was unprecedented in Germany , and can be paralleled only by Mr IRVING'S recent success in London . Fine ... character , yet as a piece of criticism it filled Lord MA CAULAY with wonder and despair , ' and still underlies most ...
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Häufige Begriffe und Wortgruppen
ABBOTT actors allusion Anon Cald CALDECOTT called CAPELL cites CLARENDON COLERIDGE Coll COLLIER Compare conj CORSON Cotgrave death DELIUS devil doth doubt dram DYCE Gloss ELZE emendation Enter Euphuism Exeunt Exit expression father Ghost gives Guil Guildenstern Hamlet hath heaven Horatio Huds HUNTER instances Johns JOHNSON KEIGHTLEY King Ktly Laer Laertes lord Macb madness MALONE means mind misprint MOBERLY murder NARES nature night noble substance Ophelia Osric passage perhaps phrase play players Polonius Pope Pope+ probably Q₂Q3 QqFf Queen reading refers Rosencrantz Rowe Rowe+ says scene seems sense Seymour Shakespeare's Sing SINGER speak speech STAUNTON Steev STEEVENS supposed sword thee Theob THEOBALD thou thought TSCHISCHWITZ verb WALKER Crit Warb WARBURTON White word
Beliebte Passagen
Seite 183 - I know my course. The spirit that I have seen May be the devil : and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me: I'll have grounds More relative than this: — the play's the thing Wherein I'll catch the conscience of the king.
Seite 374 - ... in my imagination it is ! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar ? Not one now, to mock your own grinning? quite chop-fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come ; make her laugh at that. Prithee, Horatio, tell me one thing. Hor. What 's that, my lord ? Ham. Dost...
Seite 417 - tis not to come; if it be not to come, it will be now; if it be not now, yet it will come: the readiness is all: since no man has aught of what he leaves, what is't to leave betimes?
Seite 375 - No, faith, not a jot; but to follow him thither with modesty enough, and likelihood to lead it; as thus: Alexander died, Alexander was buried, Alexander returneth...
Seite 81 - But that I am forbid To tell the secrets of my prison-house, I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porcupine : But this eternal blazon must not be To ears of flesh and blood.
Seite 259 - In the corrupted currents of this world Offence's gilded hand may shove by justice, And oft 'tis seen the wicked prize itself Buys out the law...
Seite 123 - Doubt thou the stars are fire ; Doubt that the sun doth move ; Doubt truth to be a liar ; But never doubt I love.
Seite 217 - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Seite 216 - And crook the pregnant hinges of the knee Where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice, And could of men distinguish, her election Hath seal'd thee for herself...
Seite 251 - Why, look you now, how unworthy a thing you make of me. You would play upon me ; you would seem to know my stops ; you would pluck out the heart of my mystery ; you would sound me from my lowest note to the top of my compass : and there is much music, excellent voice, in this little organ ; yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe ? Call me what instrument you will, though you can fret me, you cannot play upon me.