there was an evident pressure and force applied to the door, which it resisted well. I sprang out of bed, pressed my eye to a crevice in the wall, and saw the red-flannel shirt of one of the men; then rushing back, I shook Tertullian violently by the shoulders. He rose up a moment, uttered something impatiently, and fell back into bed. Tullian!' said I, shaking him energetically, Tullian! Tullian! up, for heaven's sake! we shall be- (here I placed my mouth close to his ear, and whispered) -murdered!'

He pressed his fists to his eyes, and sprang upon his heels. I never knew him wanting in an emergency. He rallied his senses, and understood my suspicions in an instant. He understood them, and supposed them ill-founded. But as we stood with our fowlingpieces in our arms, the violence against the door was continued, with angry imprecations, by those without. It was evident that the pressure of the whole gang was upon it, and it could not hold out long. What could we do against their numbers, and with so contracted a place for battle? Up with the window and out of it!' exclaimed Tertullian. As he uttered the words, he sprang toward the sash, uplifted it, and told me to leap. I set my foot upon the sill, crouched down in order to squeeze through the narrow aperture, and sprang in safety upon the sands below. The distance was not very great, but it was a leap in the dark. Before I could look up for him, Tertullian was by my side, the sash slamming down as he leaped, and the broken glass tinkling in little pieces at our feet. the instant a crash, an onset was heard above; oars, eel-spears, chest, chairs, and the whole barricade must have given way, a light streamed into the room and lit up the casement, shadows flitting about; a shout and confused mingling of voices met our ears; we could distinguish those of Floys Boyo and his men: The birds have flown!' 'To the shore! to the shore!' exclaimed Tertullian, grasping my arm, and attempting to hurry me along.

At

It was very dark, and I remember that we rushed through the deep sands in company with frantic haste, never turning round, now cast down by getting our feet entangled in briers, then panting on against the cold night wind. It seemed as if our pursuers were very near us, nay, almost at arm's length, outnumbering us, with the weapons of death in their hands, and the only remedy was to flee, flee for our very lives! Already I imagined the grasp of Floys Boyo upon my throat, and the death-struggle near. Life, with its delightful memories, its hopes of the future, the loves and affections which were in store for me, a host of ideas and emotions rushed through my brain with the rapidity of characters perused upon the same page. There was a sudden and intense conception of the preciousness of life, and the agony of losing it; and persisting in the chase, I felt as one does who labors under a horrid night-mare, and is pursued by phantoms or fiends, while his limbs refuse to do their office, and his shrieks are inaudible murmurs, which die away in the utterance. Oh, my sisters! my fair cousins! dear, and beautiful betrothed! would to God I had never come to Scollop Island! Onward, onward we went, scarce guided by the dim star-light.

Tullian, Tullian, I can go no farther; we can never reach the water's edge!' Scarce had I spoken when the ground gave way beneath us, we plunged forward, and sank into a hollow twelve or fifteen feet. Breathless and wearied, we lay together in the sand, with our fowling-pieces by our side. We were in a sort of cavern, where the earth caving in stood around in semi-circular walls, and was slightly arched above us. The place was sheltered from the northern blast, and a pine grove partly shielded it from the icy breath which came over the waves, while the sun had shone all day upon its sands.

Were we pursued by the gang? or had my fears as well as my ears deceived me. Hush!' whispered Tertullian; 'do you hear voices? Here they come! Lie perfectly close; if the worst comes to the worst At the instant a clamor was heard behind us, as if a half a dozen men were calling to each other from different points; it came nearer, and ever and anon the oaths of the crew were borne with horrid distinctness to our ears. Floys Boyo's hoarse voice called his men to follow him to the shore. They passed round the hollow where we lay buried, through the pine grove, and so down to the water's edge, where their lanterns kept flashing about as they ran upon the sands with a vain search, and we heard the hollow tramp of their feet, as they leaped upon a sedge-boat which lay anchored near by. We examined our locks and percussion-caps, and lay silently, looking up at the stars, in painful doubt and suspense, as to what issue was at hand; and unwilling to part with our 'sweet lives.'

How dreary and disconsolate were those moments! What a contrast with the present, the scene which I had witnessed only three evenings before; lights, and voluptuous music, beauty, and the dance; now Scollop Island, Floys Boyo and his chosen men, and above us the cold sky, about us the howling winds, and perpetual roar and confusion of the sea. Hark! that was a woman's voice! A scream! Inarticulate sounds come up from the shore, as if another boat well manned had arrived. They are on the return to the Devil-Tavern. They approach us; now they are by the pine grove; their indistinct forms are visible by the light of the lanterns; Bullion stood there in a horrible tableau ! To Bone Cavern! to Bone Cavern!' we heard them say, but the wind blew the remaining words away. Tullian! Tullian! now comes the trial! Here they are!' murmured I, leaning my head upon his shoulder. Stand fast! stand fast!' replied he. We held our hands upon the triggers of our fowling-pieces. The men stood upon the bank directly above us, causing the loose sand and gravel to roll about us, and bury us still deeper, while the twigs and bushes were now and then illuminated by the dancing lights which glittered upon the ends of

our guns.

It seemed at that moment that my heart, which had been fluttering so long and fast, became perfectly calm, and wound up by the excitement of the crisis which had at last come. I lay there, uncertain, yet ready and composed, listening intently to every word which

they said. While I ardently awaited their movements, they turned their backs upon the place where we lay, and moved off; the light of the lanterns disappeared; their voices becoming more and more indistinct, at last died away; and except the waves which plashed upon the shore, there reigned a deep silence: we were comparatively safe. We drew the sands around us, and lying close together in our coats composed ourselves for the night. In a little while Tertullian snored; and I myself, overwrought with excitement, fell fast asleep. It was a sleep without dreams; and when we awoke the sun had risen, and was shining into our eyes. We sprang from our resting-place, clambered to the summit of the bank, and looked around us in the direction of the Devil-Tavern. There hung its sign, still creaking in the breeze, but not a sign of life appeared around it. Its inmates must have resigned themselves to slumber. It was a bright day, and the solitary island looked pleasant. We ran to the shore, pushed off the skiff which lay safely in the place where we had drawn it, seized the oars, and pulled merrily. The breeze blew cold, but refreshing, and the sun glanced over the waves. We were full of life and vigor, delighted with the idea of a safe return. In a little while we paused to release some choice spirits which were imprisoned in a bottle of old Otard. Tertullian poured forth a volume of pure Latinity, and again a chorus was heard over the waves which might have roused Floys Boyo and his

crew:

'Cheer up, my lively lads,
In spite of wind and weather,
Cheer up, my lively lads,
And

The Spasm' shot over the waves with the speed of light; the shores faded in the distance; our ancient adversary the Devil was lost in his pictured proportions; and with a light heart we bade farewell to Scollop-Island, and to the hospitalities of the DEVIL-TAVERN.

June, 1813

JUNE.

RY HANS VON SPIEGEL.

SWEET June, the loveliest child of all the year!
With quickened life I hail thy slow return,
And feel my torpid soul within me burn,
As on the hill-side's verdant slope appear
The well-known flowers that mark thy presence near.
And not alone am I in loving thee!
For Nature dons her richest livery
When thou appearest; with a softer blue
The sky pavilions earth; the forest's hue

Is fresher; and the brooks more merrily
Gurgle their slender, changeful melody.

Were there a world where thou didst ever reign,
And I, alone, could reach it, I would fain
Dwell there for aye; nor sigh for earth again!

Ir is the beginning, the premier pas qui coute, in all compositions. Once started, there is no difficulty in proceeding; but how to begin! Shall we borrow of the prolific JAMES?

'UPON a lovely morning in November, that season of the year when the woods have doffed their summer green to robe themselves in sombre russet, two horsemen were seen riding down a glade of one of those noble old forests which are still to be met with in some parts of England. The elder of the two, a fine, soldier-like figure, sat his horse,' etc., etc. And there we will leave him, and look out for our own beginning. Strange that a chapter on this subject is nowhere to be found in any book on rhetoric or criticism. For our part we are determined not to begin at all for the present, but to propound a number of queries suggested to us by the name of the exuberant novelist above mentioned.

First, then: Why are tears always called 'pearly drops?' Would not that definition apply better to drops of milk? Lands have been said to flow with milk, but never did the wildest romancer assert that the lachrymal duct in the human subject was a milky-way.

Then, why does the chevelure of dark-haired persons always resemble the ‘raven's wing?' Why not his tail-feathers, occasionally, for the sake of variety? Or a crow's wing, a black-bird's wing? Or why not say, 'Dark as the wool on negro's poll?' — or as the mane of a bay horse?—or 'as black as my hat?' Is it absolutely necessary that it should always be a raven's wing?

When you say, 'cherry lips,' do you particularize sufficiently? Some cherries are yellow, some black. Should you not say 'red cherry lips? If any 'young orphan' happens to be engaged in novel-writing when cherries are in season, let him place two in juxta-position, and remark what a mouth such a pair of labia would make! Why are these cherry lips always slightly parted? Does not this give that stupid expression which the French call bouche béante?

Why are all necks, not bull-necks, 'swan-like?' Why does swanlike in necks mean beautiful and well-proportioned, and crane-like abominably extended, when the neck of a crane is no longer than that of a swan? Why are handsome noses always 'chiselled?' Why are fingers always 'taper?' And finally, for we must stop somewhere, why are beauties 'lovelier far in tears?' Did swollen eyes, bound with red, and nose pinkish in tinge at its extremity, ever improve the appearance of any mortal since the flood?

As it is not fair to destroy without creating something to supply the place of the destroyed, we take the liberty of showing our own ideal in stories:

UPON a crimson sofa, in a darkened room, sits a lovely lady. Bright are her eyes as gas-lights in a shop-window; dark her hair as Day and Martin's best; and her red lips contrast with her white skin as do the red stripes with the white in Stewart's peppermint candy. Salt tears trickle from her eyes as fall the drops from an umbrella in a gentle November drizzle; and James's last novel lies unnoticed upon her lap. Why sits the lovely lady on the crimson sofa? And why does she rest her pensive and pomatum'd brow upon her embroidered handkerchief?

That we flatter ourselves is an exordium, over which a discerning public may hang entranced.

This young lady was hight Liner, Catherine Julia Liner. She wept for love of Shuffleshank, her inconstant beau.

For one whole season Shuffleshank, whose soul, if he had any, was in his toes, hovered about Miss Liner, and attended her every where. He waltzed with her night after night, (and Shuffleshank twirled divinely,) and in the pauses of the dance he wiped the perspiration from his face, and with his touching and tender eyes,

'Gazed on the fair,
Who caused his care,

And wiped and looked, wiped and looked,
Wiped and looked, and wiped again,'

until her parents and herself were quite certain of an offer. He certainly owed her one. She deserved some compensation for listening to his interminable stories, which were as monotonous as long. So celebrated a narrator was he, that his friends, when endeavoring to give each other an idea of some distance traversed, would say, 'It was one of Shuffleshank's stories,' or two stories. Sometimes unfortunate men could tell of a six-story walk, and these were looked upon as persons of great strength and vast powers of endurance. But the heartless, ungrateful Shuffleshank