Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 295
... scene 3 to end some- where around Act II , scene 2 , line 58 with Decius hailing Caesar , provides an undeniable run - on effect . Similarly , despite swift changes of setting , there is continuity between Act II and Act III . The ...
... scene 3 to end some- where around Act II , scene 2 , line 58 with Decius hailing Caesar , provides an undeniable run - on effect . Similarly , despite swift changes of setting , there is continuity between Act II and Act III . The ...
Seite 395
... scene ( Act V , Scene iv ) 4 : 17 , 21 , 28 , 29 , 35 , 38 , 78 , 105 , 108 , 134 , 150 , 167 wager plot 4 : 18 , 24 , 29 , 53 , 78 , 155 ; 22 : 365 ; 25 : 319 Hamlet ambiguity or mystery , role of 1 : 92 , 160 , 198 , 227 , 230 , 234 ...
... scene ( Act V , Scene iv ) 4 : 17 , 21 , 28 , 29 , 35 , 38 , 78 , 105 , 108 , 134 , 150 , 167 wager plot 4 : 18 , 24 , 29 , 53 , 78 , 155 ; 22 : 365 ; 25 : 319 Hamlet ambiguity or mystery , role of 1 : 92 , 160 , 198 , 227 , 230 , 234 ...
Seite 409
... scene ( Act IV , Scene iv ) 7 : 379 , 387 , 395 , 396 , 407 , 410 , 412 , 419 , 420 , 429 , 432 , 436 , 451 , 479 , 490 ; 16 : 410 ; 19 : 366 ; 25 : 339 Paulina 7 : 385 , 412 , 506 ; 15 : 528 ; 22 : 324 ; 25 : 339 Perdita general ...
... scene ( Act IV , Scene iv ) 7 : 379 , 387 , 395 , 396 , 407 , 410 , 412 , 419 , 420 , 429 , 432 , 436 , 451 , 479 , 490 ; 16 : 410 ; 19 : 366 ; 25 : 339 Paulina 7 : 385 , 412 , 506 ; 15 : 528 ; 22 : 324 ; 25 : 339 Perdita general ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero heroic history plays honour human ical ideal Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia Williams words