Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 73
... beginning of the play he had defended with such signal valor , despite his invective against the commoners . As Granville - Barker has well said : " Play and character become truly tragic only when Marcius , to be traitor to Rome , must ...
... beginning of the play he had defended with such signal valor , despite his invective against the commoners . As Granville - Barker has well said : " Play and character become truly tragic only when Marcius , to be traitor to Rome , must ...
Seite 144
... beginning of the play , though jus- tified by external events , is also fueled by his ambiv- alence . Antony's alternating views of Cleopatra as vile seductress and enchanting queen reflect his alternating impulses of fear and desire ...
... beginning of the play , though jus- tified by external events , is also fueled by his ambiv- alence . Antony's alternating views of Cleopatra as vile seductress and enchanting queen reflect his alternating impulses of fear and desire ...
Seite 288
... beginning of Virgil's Aeneid , with its simple yet sonorous arma virumque cano , might by us be taken as expressive of true Roman dignity . Ri- chard Stanyhurst , however , in his translation of Virgil in 1582 rendered it : Now manhood ...
... beginning of Virgil's Aeneid , with its simple yet sonorous arma virumque cano , might by us be taken as expressive of true Roman dignity . Ri- chard Stanyhurst , however , in his translation of Virgil in 1582 rendered it : Now manhood ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero heroic history plays honour human ical ideal Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia Williams words