An Essay on the Nature, the End, and the Means of Imitation in the Fine ArtsSmith, Elder and Company, 1837 - 468 Seiten |
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Seite 10
... arts . habit of confounding properties inherent in two distinct operations of the imitative faculty is the cause of all the mistakes , which , from the manner of speaking , are transferred to the manner of see- 10 OF THE NATURE.
... arts . habit of confounding properties inherent in two distinct operations of the imitative faculty is the cause of all the mistakes , which , from the manner of speaking , are transferred to the manner of see- 10 OF THE NATURE.
Seite 13
... operation . Undoubtedly but that is not sufficient . Why does not this sort of organic or mechani- cal repetition equally give rise in us to the idea of resemblance or imitation , and , above all , to the pleasurable emotion which is ...
... operation . Undoubtedly but that is not sufficient . Why does not this sort of organic or mechani- cal repetition equally give rise in us to the idea of resemblance or imitation , and , above all , to the pleasurable emotion which is ...
Seite 16
... operations . This kind of apparent identity , which is the cause of confusion between similar objects , is precisely that at which the imitation of the fine arts ought not to aim . Such resemblance ought not to be its end . Repetition ...
... operations . This kind of apparent identity , which is the cause of confusion between similar objects , is precisely that at which the imitation of the fine arts ought not to aim . Such resemblance ought not to be its end . Repetition ...
Seite 43
... operations . They are dis- tinguished in language , because their effects can- not be confounded . Who is there that , in ac- counting to himself for these effects , though ever so superficially , does not rest convinced that to ...
... operations . They are dis- tinguished in language , because their effects can- not be confounded . Who is there that , in ac- counting to himself for these effects , though ever so superficially , does not rest convinced that to ...
Seite 44
... operation , which also is sufficiently acknowledged to preclude the neces- sity of farther insisting on it in this ... operations , then the arts of the mind or the modes of moral imitation and the mental organs we have above recognised ...
... operation , which also is sufficiently acknowledged to preclude the neces- sity of farther insisting on it in this ... operations , then the arts of the mind or the modes of moral imitation and the mental organs we have above recognised ...
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Häufige Begriffe und Wortgruppen
abstract according action afford allegorical already appearance arise artist arts of design attain beauty belongs bodies Chap CHAPTER character Cicero colour consequently consists constitutes contrary conventions degree derived effect elements employed error especially Eupompus existence expression fact faculties fictious figure fine arts form of composition genius historical idea ideal style identity illusion imagination imita imitative resemblance impressions individual instance kind of imitation labour language less limited Lysippus Lysistratus manner Marie de Medicis material metaphorical mind moral nature of imitation necessary Nicholas Poussin notion objects operation painter painting pantomime particular perfection personages Phidias physical physiognomy picture Plautus pleasure poet poetical poetry present principle of imitation produced proper qualities QUATREMÈRE DE QUINCY racter reality regards relations render represented requires result senses sentiment speak spirit style of composition symbolical taste tence theory things tion transformation true truth understanding unity whole words Zeuxis
Beliebte Passagen
Seite 77 - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.
Seite 361 - La damigella non passava ancora Quattordici anni, ed era bella e fresca, Come rosa che spunti allora allora Fuor della buccia, e col sol novo cresca. Non pur di lei Bireno s...
Seite 86 - ... clamores simul horrendos ad sidera tollit : quales mugitus, fugit cum saucius aram taurus, et incertam excussit cervice securim.
Seite 426 - O diva, gratum quae regis Antium, praesens vel imo tollere de gradu mortale corpus vel superbos vertere funeribus triumphos...
Seite 264 - Sed ego sic statuo, nihil esse in ullo genere tarn pulchrum, quo non pulchrius id sit unde illud ut ex ore aliquo quasi imago exprimatur; quod neque oculis neque auribus neque ullo sensu percipi potest, cogitatione tantum et mente complectimur.
Seite 102 - It consists in seeking truth short of the limits of every art, by a system of servile copy, which deprives the imitation or the image, of that fictious part which constitutes at once its essence and its character.
Seite 413 - Usually they are found with the body of a lion and the head of a woman...
Seite 265 - Nec vero ille artifex, cum faceret lovis formam aut Minervae, contemplabatur aliquem, e quo similitudinem duceret, sed ipsius in mente insidebat species pulchritudinis eximia quaedam, quam intuens in eaque defixus ad illius similitudinem artem et manum dirigebat.
Seite 424 - Concitet, imperiumque frangat. Te semper anteit saeva Necessitas, Clavos trabales et cuneos manu Gestans ahena ; nee severus Uncus abest, liquidumque plumbum.
Seite 98 - Virgil, Nox erat, et placidum carpebant fessa soporem Corpora per terras, sylvseque, et...