And eat thy fruit, protected with thy sons; Thou goddess! by the softening sun beloved, Rejoicest, he with unfulfilled desire Delights not only on thy face to dwell In amorous smile the live-long summer's day, Neglect not thou the sea, that yields thee salt, Salt, origin of tastes, with which we eat The well-fed ox, and bread by labour earned. Thence too the coal its nitrous spirit draws— Coal such as dug from firry Elphingston, Or Winton's level land that smiles with wheat, Brings back bright ore, reward of industry, Or such as in Montrose, fair harboured town, They burn; or in Alectum, lofty domed, And dims, Edina, thy aspiring brow. No other fuel claimeth Glasgow blue, Watery Linlithgow's royal seat, or Perth, Whose evening bells the roving Highlander Hears sweet, though far descending Stenton hill, Nor Fife, well-peopled in her sea-towns tiled. Such also we in high Devana burn, Glancing on marble hearth, the oily jet Crackling full fast makes mild the bitter air With sulphured steam, and thaws with grateful warmth Doubles the heat, and gay the enlivened hall Ere since of old the haughty thanes of Ross- Starts at the noise, and both the herdsman's ears From end to end of Scotland many-mined. There view I winged Skye, and Lewes long, Resort of whales; and Wyste where herrings swarm; And talk, at once delighted and appalled, By the pale moon, with utmost Hirta's seers, Thus, Caledonia, many-hilled! to thee, ALEXANDER ROSS. 1699-1784. The immediate successor and indeed imitator of Allan Ramsay as the writer of a Scottish pastoral was the teacher of a remote parish school among the Grampians. Son of an Aberdeenshire farmer, Alexander Ross was born at Kincardine O'Neil, on April 13, 1699. After taking his degree at Marischal College in 1718, he acted for a time, like many Scottish students, as a tutor. Afterwards he became schoolmaster successively at Aboyne and Laurencekirk, settling finally at the remote Lochlea in Forfarshire. There he remained, reared a large family on scanty means, and wrote the various poetical pieces by which he is remembered. In 1766 he carried the manuscript of his pastoral, "Helenore, or the Fortunate Shepherdess," to Aberdeen. Beattie, the author of The Minstrel, at that time a professor there, took an interest in the rustic poet, helped his work to publication, and secured it a hearing. The piece proved successful, and brought its author no small local fame, with the, to him, not inconsiderable sum of £20. To the present day "Helenore" remains popular in the north, but in spite of its frequent touches of nature and the stamp of truth about its characters, its many incongruities destroy its effect as a work of art. The poem is written in the Buchan dialect, and possesses some interest on that account; but the reader is startled to find a Helenore and a Rosalind (in this case the hero's name) among the peasantry of Scotland, and still more so to come upon these high-sounding titles contracted with easy familiarity into "Nory" and "Lindy." The pastoral, however, has not been without an influence upon the work of later poets, and Burns has acknowledged that Scota, the muse to whom Ross addresses his invocation, afforded the suggestion for his own Coila. It is by his songs, however, that Ross is most widely known. "Wooed and married and a'," "The Rock and the wee pickle tow," "The Bridal o't," "What ails the lasses at me?" and "To the begging we will go !" are rich in typical Scots humour, I spoiled. and full of spirit, while their homely sense, and the distinct individual tang which they possess, ensure them a place in every collection. Ross died at Lochlea at a green old age in 1784. A life of him by his grandson, the Rev. Alexander Thomson, minister of Lentrathen, was prefixed to the fifth edition of his poems, published at Dundee in 1812; and to a more recent edition, published at Glasgow in 1868, a further memoir was written by Dr. John Longmuir. The poet at his death left some eight small volumes of verse and prose which still remain unprinted. WOOED AND MARRIED AND A'.* WOOED and married and a', Is wooed and married and a'. And by, when they wonted to ca'; That's wooed and married and a'. * By a curious carelessness, another song with this title was substituted for this in the Brechin edition of Ross's poems. Following that mistake, Stenhouse, in his notes to Johnson's Museum, while attributing the Brechin version to Ross, stated that the longer piece was the work of Mrs. Scott of Dunbarton. It is possible that Ross was also the author of the substituted Brechin version; it was a habit of his to write curtailments of his songs for popular purposes. For this reason the Brechin version is also appended here. But the nine-stanza copy first given is the copy of the first two editions of Ross's poems, and must necessarily be his work. Still another song with the same title and on the same theme was written by Joanna Baillie, and is included among her poetical works. |