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208

Fancy's Knell

imperceptibly impelled by the awakening of the thinking principle within us. We no sooner get into the second Chamber, which I shall call the Chamber of MaidenThought, than we become intoxicated with the light and the atmosphere; we see nothing but pleasant wonders, and think of delaying there for ever in delight. However, among the effects this breathing is father of, is that tremendous one of sharpening one's vision into the heart and nature of Man-of convincing one's nerves that the world is full of Misery and Heart-break, Pain, Sickness, and Oppression-whereby this Chamber of Maiden-Thought becomes gradually darkened, and at the same time, on all sides of it, many doors are set open-but all dark--all leading to dark passages-We see not the balance of good and evil—we are in a mist— we are now in that state-We feel the 'burden of the Mystery.'. .

TELL me where is Fancy bred,
Or in the heart, or in the head ?
How begot, how nourished?
Reply, reply.

It is engender'd in the eyes,
With gazing fed; and Fancy dies
In the cradle where it lies:
Let us all ring Fancy's knell;
I'll begin it,-Ding, dong, bell.
Ding, dong, bell.

Book III

209

210

TOP and consider! Life is but a day;

SA fragile dewdrop on its perilous way

Α

From a tree's summit; a poor Indian's sleep
While his boat hastens to the monstrous steep
Of Montmorenci. Why so sad a moan ?
Life is the rose's hope while yet unblown ;
The reading of an ever-changing tale;
The light uplifting of a maiden's veil;
A pigeon tumbling in clear summer air;
A laughing school boy, without grief or care,
Riding the springy branches of an elm. . .

JE vous envoie un bouquet que ma main
Vient de trier de ces fleurs epanies ;
Qui ne les eust à ce vespre cueillies,
Cheutes à terre elles fussent demain.

Cela vous soit un exemple certain
Que vos beautez, bien qu'elles soient fleuries,
En peu de temps cherront toutes fletries,
Et, comme fleurs, periront tout soudain.

Le temps s'en va, le temps s'en va, ma dame,
Las! le temps non, mais nous, nous en allons,
Et tost serons estendus sous la lame:

Et des amours desquelles nous parlons, Quand serons morts, ne sera plus nouvelle : Pour ce, aymez-moy, ce pendant qu'estes belle.

The Wastes of Time

211

THE feathers of the willow
Are half of them grown yellow
Above the swelling stream;
And ragged are the bushes,
And rusty now the rushes,
And wild the clouded gleam.

The thistle now is older,
His stalk begins to moulder,

His head is white as snow;
The branches all are barer,
The linnet's song is rarer,
The robin pipeth now.

212

WHEN I do count the clock that tells the time,
And see the brave day sunk in hideous night;
When I behold the violet past prime,
And sable curls all silver'd o'er with white;
When lofty trees I see barren of leaves
Which erst from heat did canopy the herd,
And summer's green, all girded up in sheaves,
Borne on the bier with white and bristly beard;
Then of thy beauty do I question make,
That thou among the wastes of time must go,
Since sweets and beauties do themselves forsake
And die as fast as they see others grow;

And nothing ʼgainst Time's scythe can make defence
Save breed, to brave him when he takes thee hence.

Decay

213

A SPIRIT haunts the year's last hours
Dwelling amid these yellowing bowers :
To himself he talks;

For at eventide listening earnestly,

At his work you may hear him sob and sigh
In the walks:

Earthward he boweth the heavy stalks
Of the mouldering flowers:
Heavily hangs the broad sunflower
Over its grave i' the earth so chilly;
Heavily hangs the hollyhock,
Heavily hangs the tiger lily. . .

214

I MET a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed:
And on the pedestal these words appear:
'My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.

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