Latest Literary Essays and AddressesHoughton, Mifflin, 1892 - 322 Seiten |
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Seite 4
... happy congruity of propor- tion which we call style , and the scholar's fulness of mind is mercifully tempered by the man of the world's dread of being too fiercely in earnest . It is a gentlemanlike style , thoroughbred in every fibre ...
... happy congruity of propor- tion which we call style , and the scholar's fulness of mind is mercifully tempered by the man of the world's dread of being too fiercely in earnest . It is a gentlemanlike style , thoroughbred in every fibre ...
Seite 10
... Happy the man , and happy he alone , He who can call to - day his own ; He who , secure within , can say , ' To - morrow , do thy worst , for I have lived to - day ; Be fair or foul , or rain or shine , The joys I have possessed in ...
... Happy the man , and happy he alone , He who can call to - day his own ; He who , secure within , can say , ' To - morrow , do thy worst , for I have lived to - day ; Be fair or foul , or rain or shine , The joys I have possessed in ...
Seite 24
... happy , " which was a saying he borrowed of Swift , another self- dissatisfied man . Bonstetten says in French that " his mind was gay and his character melancholy . " In German he substitutes " soul " for " character . " He was ...
... happy , " which was a saying he borrowed of Swift , another self- dissatisfied man . Bonstetten says in French that " his mind was gay and his character melancholy . " In German he substitutes " soul " for " character . " He was ...
Seite 29
... happy and harmonious . ” And again he says in a postscript to Beattie : " Remember Dryden , and be blind to all his faults . " To Mason he writes : " All I can say is that your ' Elegy ' must not end with the worst line in it ; it is ...
... happy and harmonious . ” And again he says in a postscript to Beattie : " Remember Dryden , and be blind to all his faults . " To Mason he writes : " All I can say is that your ' Elegy ' must not end with the worst line in it ; it is ...
Seite 47
... happy audacity of what Montaigne calls the first jump . Father Thames could never have come upon his stage with both his banks on the same side , refreshing as that innovation might have been to an audience familiar with the hum- drum ...
... happy audacity of what Montaigne calls the first jump . Father Thames could never have come upon his stage with both his banks on the same side , refreshing as that innovation might have been to an audience familiar with the hum- drum ...
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admirable ancient Areopagitica Arethusa Beaumont and Fletcher beauty believe Ben Jonson better Bussy d'Ambois called certainly Chapman character charm Contarino delight diction divine doubt dramatists Dryden Duchess of Malfi Elegy English eyes fancy Faustus feel French genius give Goethe Gray Gray's Greek hand heaven Hero and Leander Homer humor Iliad imagination inspired John Chalkhill King Landor language Latin learned least less literature live Marlowe Massinger mean memory Mephistophilis Milton mind modern nature never noble passage passion perfect perhaps person Philaster phrase Pindar play poem poet poetical poetry prose Richard Richard III Romelio Sainte-Beuve scene seems sense Shakespeare sometimes soul speaking speech Spenser style sure sweet Tamburlaine tells thing thou thought tion tongue tragedy translation true verse Walton Webster words Wordsworth writing written wrote
Beliebte Passagen
Seite 199 - What things have we seen Done at the Mermaid ! heard words that have been So nimble, and so full of subtle flame, As if that every one from whence they came Had meant to put his whole wit in a jest, And had resolved to live a fool the rest Of his dull life...
Seite 314 - Canst thou not minister to a mind diseased ; Pluck from the memory a rooted sorrow ; Raze out the written troubles of the brain ; And, with some sweet, oblivious antidote, Cleanse the stuffed bosom of that perilous stuff, Which weighs upon the heart ? Doct.
Seite 36 - And in my breast the imperfect joys expire. Yet morning smiles the busy race to cheer, And new-born pleasure brings to happier men ; The fields to all their wonted tribute bear ; To warm their little loves the birds complain : I fruitless mourn to him that cannot hear, And weep the more, because I weep in vain.
Seite 278 - There is no danger to a man, that knows What life and death is : there's not any law Exceeds his knowledge ; neither is it lawful That he should stoop to any other law : He goes before them, and commands them all, That to himself is a law rational.
Seite 224 - Yet Lamb was hardly extravagant in saying that " the death scene of Marlowe's king moves pity and terror beyond any scene, ancient or modern, with which I am acquainted.
Seite 234 - I'll have them fly to India for gold, Ransack the ocean for orient pearl, And search all corners of the new-found world For pleasant fruits and princely delicates; I'll have them read me strange philosophy And tell the secrets of all foreign kings...
Seite 72 - But the Nightingale, another of my airy creatures, breathes such sweet loud music out of her little instrumental throat, that it might make mankind to think miracles are not ceased. He that at midnight, when the very labourer sleeps securely, should hear, as I have very often, the clear airs, the sweet descants, the natural rising and falling, the doubling and redoubling of her voice, might well be lifted above earth, and say...
Seite 220 - From their immortal flowers of poesy, Wherein, as in a mirror, we perceive The highest reaches of a human wit; If these had made one poem's period, And all...
Seite 117 - Ye elves of hills, brooks, standing lakes and groves, And ye that on the sands with printless foot Do chase the ebbing Neptune and do fly him When he comes back...
Seite 233 - All things that move between the quiet poles Shall be at my command : emperors and kings Are but obeyed in their several provinces, Nor can they raise the wind or rend the clouds ; But his dominion that exceeds in this Stretcheth as far as doth the mind of man, A sound magician is a mighty god : Here, Faustus, tire thy brains to gain a deity.