The Shakespeare RevolutionCambridge University Press, 29.04.1983 - 304 Seiten How do our ways of perceiving and producing Shakespeare differ from those of the nineteenth century, and how interrelated has the work of scholars and directors become over this century? Professor Styan's purpose in this book is to discuss the 'revolution' in Shakespeare studies implied by these questions. |
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... Old Vic , 1956 [ Photo : Houston Rogers ] 204 Peter Brook's Measure for Measure at the Shakespeare Memorial Theatre , Stratford - upon - Avon , 1950 [ By permission of the Governors of the Royal Shakespeare Theatre , Stratford - upon ...
... Old Vic , 1956 [ Photo : Houston Rogers ] 204 Peter Brook's Measure for Measure at the Shakespeare Memorial Theatre , Stratford - upon - Avon , 1950 [ By permission of the Governors of the Royal Shakespeare Theatre , Stratford - upon ...
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Inhalt
GranvilleBarkers early criticism | 105 |
Stylized Shakespeare and Nigel Playfair | 122 |
Barry Jackson and dizzy modernity | 139 |
retreat and advance | 160 |
Guthrie and the open stage | 180 |
The Festival Theatre Stratford Ontario developed after 1953 | 195 |
Shakespeare Peter Brook and nonillusion | 206 |
Peter Brooks A Midsummer Nights Dream at the Royal | 227 |
the critical revolution | 232 |
Notes | 238 |
264 | |
275 | |
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23 April action actors Allardyce Nicoll audience August ballet Barker Bradley Bradley's Bridges-Adams Cambridge century character colour comedy convention costumes curtain dance director drama dress effect Elizabethan playhouse Elizabethan Revival Elizabethan stage English Stage experience fairies February Globe Granville-Barker Granville-Barker's Guthrie's Hall Hamlet Harley Granville ibid idea illusion imagination interpretation J. C. Trewin J.C. Trewin John Juliet King Lear Kott's literary London lovers Macbeth magic Merchant of Venice Midsummer Night's Dream modern Nigel Playfair non-illusion non-illusory Norman Marshall Oberon Old Vic Othello performance Peter Brook platform play's players Playfair playgoer playwright Poel's poetry Prefaces prompt-book proscenium Puck realism Richard Robert Speaight Romeo Saturday Review scene scenery scholar seemed sense September 1912 Shake Shakespeare criticism Shakespeare Our Contemporary Shakespeare Survey speare spectators speech stagecraft Stratford style suggest Tempest theatre theatrical Theseus tion tradition tragedy Twelfth Night Tyrone Guthrie Victorian William Poel wrote York