Al-Andalus: The Art of Islamic Spain

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Jerrilynn Denise Dodds
Metropolitan Museum of Art, 1992 - 432 Seiten
The texts unfold chronologically to trace the brilliant architecture and courtly arts of the Umayyad caliphate, the refined and original accomplishments of the succeeding Taifa kingdoms, the more rigorous contributions of the Almoravids and Almohads who followed, and, finally, the opulent palaces and objects created for the Nasrids of Granada, the last Muslim dynasty in Spain. The essays are broad and synthetic in nature, creating cultural and artistic contexts for the objects that are discussed in detail in the 136 catalogue entries. Some authors interpret the relationship between patrons and works of art; others illuminate the architectural surroundings in which the objects existed as well as the meanings inherent in the pieces themselves. Still others trace developments within specific mediums, integrating recent technological and historical studies that view the function and meaning of crafts in their social and cultural contexts.

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