Lectures on the Dramatic Literature of the Age of Elizabeth: Delivered at the Surrey InstitutionJ. Warren, 1821 - 356 Seiten |
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Seite 17
... sentiment : it created endless diversity and collision of opinion . They found objects to employ their faculties , and a motive in the magnitude of the consequences attach- ed to them , to exert the utmost eagerness in the pursuit of ...
... sentiment : it created endless diversity and collision of opinion . They found objects to employ their faculties , and a motive in the magnitude of the consequences attach- ed to them , to exert the utmost eagerness in the pursuit of ...
Seite 18
... sentiments of the New , there is nothing like them in the power of exciting awe and admiration , or of rivetting sympathy . We see what Milton has made of the account of the Creation , from the manner in which he has treated it , imbued ...
... sentiments of the New , there is nothing like them in the power of exciting awe and admiration , or of rivetting sympathy . We see what Milton has made of the account of the Creation , from the manner in which he has treated it , imbued ...
Seite 44
... sentiments , an unaffected perspicuity of style , and an easy flow in the numbers . In a word , that chastity , correctness , and gravity of style , which are so essential to tragedy , and which all the tragic poets who followed , not ...
... sentiments , an unaffected perspicuity of style , and an easy flow in the numbers . In a word , that chastity , correctness , and gravity of style , which are so essential to tragedy , and which all the tragic poets who followed , not ...
Seite 55
... sentiment . It is full of sweetness and point , of Attic salt and the honey of Hymettus . The following song given to Apelles , would not disgrace the mouth of the prince of pain- ters : " Cupid and my Campaspe play'd At cards for ...
... sentiment . It is full of sweetness and point , of Attic salt and the honey of Hymettus . The following song given to Apelles , would not disgrace the mouth of the prince of pain- ters : " Cupid and my Campaspe play'd At cards for ...
Seite 73
... ) , but the simplicity of the characters , and the equable flow of the sentiments do not re- quire or suffer it to be warped from the tone of . level speaking , by figurative expressions , or hy- perbolical HEYWOOD , MIDDLETON , & c . 73.
... ) , but the simplicity of the characters , and the equable flow of the sentiments do not re- quire or suffer it to be warped from the tone of . level speaking , by figurative expressions , or hy- perbolical HEYWOOD , MIDDLETON , & c . 73.
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admiration affected Beaumont and Fletcher beauty behold Ben Jonson breath character classical comedy common Cynthia's Revels D'Ol dead death Deckar delight Devil doth dramatic Duchess of Malfy Duke Eastward Hoe effeminacy Endymion Eumenides extravagant eyes faith fancy Faustus feeling fire flowers friends Friscobaldo genius give grace hand hath head heart heaven Hodge honour human Hydriotaphia imagination imitation Jeremy Taylor Jonson kings kiss learning live look Lord Lover's Melancholy manner ment Michael Drayton mind moral Muse nature never night noble Noble Kinsmen passage passion Petrarch play poet poetical poetry pride quincunxes racter Rhod says scene Sejanus sense sentiment Shakespear shew Sir Rad Sir Thomas Brown sort soul speak spirit striking style sweet taste thee there's thing thou thought tion tragedy true truth unto virtue woman words writers