Elements of Criticism, Band 2M. Carey, 1816 |
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Seite 53
... pause , affords time for a word to make its deepest impression . * Hence the following rule , That to give the utmost force to a period , it ought if possible to be closed with that word which makes the greatest figure . The opportunity ...
... pause , affords time for a word to make its deepest impression . * Hence the following rule , That to give the utmost force to a period , it ought if possible to be closed with that word which makes the greatest figure . The opportunity ...
Seite 77
... pause in the sense or in the melody , this pause ought never to be distinguished from the others ; and for that reason shall be laid aside . With re- spect then to the pauses of sense and of melody , it may be affirmed without ...
... pause in the sense or in the melody , this pause ought never to be distinguished from the others ; and for that reason shall be laid aside . With re- spect then to the pauses of sense and of melody , it may be affirmed without ...
Seite 78
... pause necessary for the sense must often , in some degree , be sacri- ficed to the verse - pause , and the latter sometimes to the former . The pronouncing syllables in a high or low tone , contributes also to melody . In reading ...
... pause necessary for the sense must often , in some degree , be sacri- ficed to the verse - pause , and the latter sometimes to the former . The pronouncing syllables in a high or low tone , contributes also to melody . In reading ...
Seite 79
... pause , and ac- cent : For as to quantity , what is observed above may suffice . Hexameter lines , as to time , are all of the same length ; being equivalent to the time taken in pro nouncing twelve long syllables or twenty - four short ...
... pause , and ac- cent : For as to quantity , what is observed above may suffice . Hexameter lines , as to time , are all of the same length ; being equivalent to the time taken in pro nouncing twelve long syllables or twenty - four short ...
Seite 80
... pause at the end of the fifth long syllable , reckoning , as above , two short for one long ; and when we measure this line by Dactyles and Spondees , the pause now mentioned divides always a Dactyle , or a Spondee , without once ...
... pause at the end of the fifth long syllable , reckoning , as above , two short for one long ; and when we measure this line by Dactyles and Spondees , the pause now mentioned divides always a Dactyle , or a Spondee , without once ...
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Häufige Begriffe und Wortgruppen
accent action admit Æneid agreeable allegory appear beauty blank verse capital cause Chapter circumstance colour composition confined connected connexion couplet Demetrius Phalereus distinguished effect elevation emotions employed Eneid epic poem epic poetry equal example expression figure of speech Fingal foregoing garden give hath Hence Henry VI Hexameter Hexameter line Horat idea Iliad imagination imitation impression inversion ject kind language less light long syllable manner means melody metaphor mind motion nature never object observed ornaments Paradise Lost passion pause perceived perception period personification pleasure poet principal pronounced proper proportion prose Quintilian reader reason regular relation relish resemblance respect rhyme Richard II rule scarce scene sect sense sensible short syllables signify simile sion sound Spectator Spondees substantive taste termed thee thing thou thought tion tone tragedy tree variety verb words writer
Beliebte Passagen
Seite 171 - The barge she sat in, like a burnish'd throne, Burn'd on the water: the poop was beaten gold ; Purple the sails, and so perfumed that The winds were love-sick with them : the oars were silver ; Which to the tune of flutes kept stroke, and made The water, which they beat, to follow faster, As amorous of their strokes.
Seite 113 - Favours to none, to all she smiles extends ; Oft she rejects, but never once offends. « Bright as the sun, her eyes the gazers strike, And like the sun, they shine on all alike. Yet graceful ease, and sweetness void of pride, Might hide her faults, if belles had faults to hide : If to her share some female errors fall, Look on her face, and you'll forget 'em all.
Seite 163 - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge ; And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafning clamours in the slippery clouds, That, with the hurly, death itself awakes ? Canst thou, O partial sleep!
Seite 227 - O, you hard hearts, you cruel men of Rome, Knew you not Pompey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The live-long day, with patient expectation, To see great Pompey pass the streets of Rome...
Seite 130 - The current that with gentle murmur glides, Thou know'st, being stopp'd, impatiently doth rage ; But when his fair course is not hindered, He makes sweet music with the enamel'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage ; And so by many winding nooks he strays, With willing sport, to the wild ocean.
Seite 193 - For the vineyard of the Lord of hosts is the house of Israel, And the men of Judah his pleasant plant: And he looked for judgment, but behold oppression; For righteousness, but behold a cry.
Seite 242 - But whate'er you are That in this desert inaccessible, Under the shade of melancholy boughs, Lose and neglect the creeping hours of time ; If ever you have look'd on better days, If ever been where bells have knoll'd to church, If ever sat at any good man's feast, If ever from your eyelids wiped a tear And know what 'tis to pity and be pitied, Let gentleness my strong enforcement be : In the which hope I blush, and hide my sword.
Seite 229 - One cried, God bless us ! and, Amen, the other ; As they had seen me, with these hangman's hands, Listening their fear. I could not say, amen, When they did say, God bless us.
Seite 121 - Two of far nobler shape erect and tall, Godlike erect, with native honour clad In naked majesty seemed lords of all, And worthy seemed, for in their looks divine The image of their glorious Maker shone, Truth, wisdom, sanctitude severe and pure, Severe, but in true filial freedom...
Seite 373 - The crow doth sing as sweetly as the lark When neither is attended, and I think The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren.