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is clerk to Mr. Reeves, an attorney in Tottenhamcourt-road, calling upon him to attend on a given day, to show cause why he should not pay a debt of 39s. 1 lid. Mr. Williams, who spoke with a sort of lisping squeak, garrulously addressed the Commissioner: “He had,” he said, “been a hair-dresser, man and boy, for sixty-eight years. He had served his time in the Temple, where he had the honour of making wigs for some of the greatest men as ever lived—of all professions, and of all ranks—judges, barristers, and tommoners—churchmen as well as laymen—illiterate men as well as literate men; and among the latter, he had to rank the immortal Dr. Johnson: but of all the wigs he had ever set comb to, there was none on which he so much prided himself as a full state wig which he had made for Lord Mansfield ; it was one of the earliest proofs of his genius: it had excited the warm commendation of his master, and the envy of his brother shopmates; but, above all, it had pleased, nay, even delighted, the noble and learned judge himself. Oh! gemmen,” exclaimed Mr. Wiiliams, “if you had kuown what joy I felt when I first saw his noble Lordship on the bench with that wig on his head " (in an under tone, but rubbing his bands with ecstacy.) “ Upon my say so, I was fuddled for three days after" The Coimmissioner–What has this wig to do with the defendant's debt Mr. Williams—A great deal that's the very bone of contention. The Commissioner–Doubtless; but you must come to the marrow, if you can, as soon as possible. Mr. Williams — I will. Well, as I was saying— where did I leave off —Oh ! when I was fuddled. The Commissioner—I hope you have left of that habit, now, my good man. Mr. Williams—Upon my say so, I have, trust me; but as I was a saying, to make a long story short, in course of time I left my master in the Temple, set up for myself, and did a great stroke of business. Ay, I could tell you such a list of customers. There was

Commisssioner—Never mind, we don't want your

list—go on. Mr. Williams—Well, then, at last I set up in Boswell-court, Queen-square. Lawk me ! what alterations I have seen in that square, surely in my time. I remember when I used to go to shave old Lord— Commissioner—For God's sake, do come to the end of your story. Mr. Williams—Well, I will. Where was I? Oh! in Boswell-court—[Commissioner, aside: I wish you were there now.]—Well, then, you must know when Lord Mansfield (God rest his soul!) died, his wig– the very, very wig I made—got back to my old master's shop, and he kept it as a pattern for other judge's wigs: and at last who should die but iny master himself. Ay, its what we must all come to. The Commissioner—Go on, go on man, and come to the end of your story. Mr. Williams— I will, I will. Well, where was I Oh! in my poor master's shop. Well, so when he died, my mistress, gave me—for she knew, poor soul! how I loved it—this 'dentical wig ; and I carried it home with as much delight as if it had been one of my children. Ah, poor little things they're all gone before me The Commissioner— Come, if you don't cut this matter short, I must, and send you after them. \ir. Williams— Dearee me! you put me out. Well, as I was a saying, I kept this here wig as the apple of my eye; when, as ill-luck would have it, that ere Mr. Lawrence came to my shop, and often asked me to lend it to him to act with in a play — I think he called it Shycock, or Shylock, for he said he was to play the judge. I long refused, but he over persuaded me, and on an unlucky day I let

him have it, and have never (weeping and wiping .

his little eye with his white apron) seen it since. The Commissioner–And so you have summoned him for the price of this wig Mr. Williams—You have just hit the nail on the head. The Commissioner–Well, Mr. Lawrence, what have you to say to this?

Mr Lawrence (with great pomposity) — Why, sir, I have a great deal to say. The Commissioner–Well, then, sir, I desire you will say as little as you can, for there are a great many persons waiting here whose time is very preC1011S. Mr. Lawrence—Not more precious than mine, I presume, sir. I submit that this case is in the nature of an action of trover, to recover the possession of this wig; and this admitted, sir, I have humbly to contend, that the plaintiff must be nonsuited; for, sir, .." will not find one word of or concerning a wig in is declaration. The plaintiff must not travel out of his record. Commissioner–What record 2 Mr. Lawrence—The record in Court. Commissioner–We have no record. Mr. Lawrence—You have a summons, on which I attend to defend myself; and that is, to all intents and purposes, de facto, as well as de jure, a record similar to, and of the essence of a record in the Court above. Commissioner–Sir, we are not guided by the precedents of Courts above here. Our jurisdiction and cur powers are defined by particular Acts of Parliament. Mr. Lawrence—Sir, I contend, according to the common law of these realms, that I am right. Commissioner—I say, according to the rules of common sense, you are wrong. Mr. Lawrence—Sir, I have cases. Commissioner–Sir, I desire you will confine yourself to this case. Mr. Lawrence—What says Kitty upon the nature of these pleadings? The Commissioner—And pray who is Kitty 2 Mr. Lawrence—The most eminent pleader of the present day. The Commissioner—I never heard of a woman being a special pleader. - Mr. Lawrence—He is not a woman, sir; he is a man, sir, and a great man, sir—and a man, sir The Commissioner —Do you mean Mr. Chitty. Mr. Lawrence—I mean the gentleman you call

Chitty, and most erroneously so call him; for you ought to know that the Ch in Italian sounds like an English K , and Mr. Kitty, by lineal descent, is an Italian. It is a vulgar error to speil his name with a y final, it ought to be i, and then it would properly sound Kittee. The Commissioner — I should rather take Mr. Chitty's arthority for this than yours. Mr. Lawrence (in anger)—Sir, do you contradict me 3 The Commissioner–Sir, I will bring this case to a short issue. Did you borrow this man's wig 1 Mr. Lawrence—I did. The Commissioner—Do you choose to return it ! Mr. Lawrence—It is destroyed. The Commissioner–How destroyed? Mr. Lawrence—It was burnt by accident. The Commissioner–Who burnt it ! Mr. Lawrence—I did, in performing the part of the Judge in Shakspeare's inimitable play of the Merchant of Venice. While too intent on the pleadings of Portia, the candle caught the curls, and I, with difficulty, escaped having my eyes burnt out. The plaintiff here uttered an ejaculation of mental suffering, something between a groan and a curse. The Commissioner—Well then, sir, I have only to tell you, you are responsible for the property thus intrusted to your care; and, without farther comment, I order and adjudge that you pay to the plaintiff the sum of 39s. 1 lid., which is the sum he is prepared to swear it is worth. Mr. Williams—Swear ! Lord love you, I'd swear it was worth a Jew's eye. Indeed, no money can compensate me for its loss. Commissioner—I cannot order you a Jew's eye, Mr. Williams, unless Mr. Lawrence can persuade his friend Shylock to part with one of his ; but I will order you such a sum in monies numbered, as you will swear this win is fairly and honestly worth. A long dispute followed, as to the value of the wig, when Mr. Williams ultinately agreed to take 20s. and costs, and the parties were dismissed mutually grunbling at each other.

A set-Dow N.

Swift was one day, in company with a young coxcomb, who rose with some conceited gesticulation, and with a confident air, said, “I would have you to know, Mr. Dean, I set up for a wit.” “Do you, indeed,” said the Dean, “then take my advice, and sit down again.”

THE LIKEN Ess; or, MY cousi N.

My lord was all kind, and my lady all fair, -
And in conjugal fetters were link'd ;
Yet one thing was wanting, and that was an heir,
That the title might not be extinct.
E'en this came at last, and a sweet rosy boy,
So like, but the truth we'll record;
Like an angel it look'd, but to lessen the joy,
It somehow was not like—My lord.
The babe grew in beauty, the christening came,
And to it flock'd friends by the dozen :
When the likeness, O yes, ev'ry gossip could name,
'Twas so like her so cousin '
Then sure, at the moment her cousin came in,
The captain, all pleasing and grace'
When his forehead, his nose, and his sweet dimpled
All present could easily trace.
The ladies sat smiling; the captain smil'd too;
But vow'd he no likeness could see:
Which my lord, nay my lady, affirm'd to be true,
And must with the captain agree.
The party, on this, would again view the child :
When each looking wise, hemm'd and haw'd;
Then, blaming their folly, (by fancy beguil'd,)
Declar'd it was just like—my lord
The next day was fix'd to go down to the grove,
When, my lady, good-humour'd and kind,
Said, her grandfather's age might an hindrance prove,
So fain wish'd to leave him behind.
“Then, my lord, all our friends are inclin'd to be
And :* not have more than a dozen.”
“Why then,” cried my lord, “let your grandfather

stay, And, o dear, we'll dispense with my cousin.”


“After all,” says Madame de Stael, “it is a melancholy pleasure to travel.” My dear Corinna, what an expression “a pleasure to travel !” You might as well have said, “D'abord ce n'est qu'un triste plaisir que de se faire A R RAchy R Le LEST " However pleasant it might be to you to roll in your baronial travelling carriage from Geneva to Paris, to meet the incense of your adoring beaur esprits, I can assure your illustrious shade, that the American stage-coach is quite another affair. The very genius of inconvenience seems to have invented then, and to continue his ungracious assistance to arrange their evolutions.

Misery 1st. PackINg.

2. After a sleepless night of anxiety, on the eve of the fatal day, mixed with the interesting reflections— is every thing right in my valise – Will Mary remember to wake me at four – where did I “pack" my shaving apparatus 2 &c.—you drop into a perturbed sleep, which in half an hour is broken by the appalling cry—“The stage is come, sir.” You wake with aching head and low spirits, and would give every thing in the world, except your already paid passagemoney to sleep till nine.

3. Getting into the coach in the dark, treading on the feet of the peevish, sleepy, occupants—you are stuck upon the midst of the narrow, tottering, middle seat, with no back to lean against, and two or three trunks already in possession of the place destined for your legs. A sick child is awaked by your entrée, and the mother opens an octave higher than concert pitch, to drown his cries and aid in waking him thoroughly. After keeping you in this state half an hour, the coachman drives on, and you are greeted with the muttered “d—n” of your opposite male fellow-passenger, as you pitch against him, and the whining “dear me ! luddy mercy” of the “ La pies,” (to use the coachman's hyperbolical compliment to the gingham draped travellers,) on whom in turn you recoil.

4. A breakfast at a poor tavern. Domestic coffee, sweetened with maple sugar; heavy, coarse bread— tough, cold ham. No napkins, no salt-spoons, no ...” no toast, no nothing. You have now a view of your fellow-passengers, who are to bear you company throughout a long summer's day. And first of the “ladies,”—the sick child's cross mother—a red, fat, snuff-faced widow, and two old maids with faded silk gowns and gold necklaces. The men ignorant and presuming, wrangling about manufactures and politics, and treating their salivary glands to a profusion of tobacco. You have a fine time to reflect on your folly, in leaving the charming, cheerful breakfast at C 's, the strong, hot amber of the coffee, the light French rolls, the Vauxhall ham, and, above all, the rosy, laughing girls, blooming and giggling from their morning slumbers, and full of the amusements and sports of the day, - “a longing, lingering look behind " 5. As you are about to mount the mud-fleckered coach, you look with tardy prudence for your valise. Remember, at this convenient season, you forgot it. You thus endure, like the man in the play, not only disgrace and inconvenience, but positive loss. Forced to open your heavy, large, close-packed trunk twenty times a day, for want of the valise as a tender. Your imagination dwelling on it with nervous tenacity. So neat a valise—so convenient—all my dressing articles—the very valise I had abroad—how could I lose my valise ’ &c. &c. 6. A rough, stony road, wooden springs to the carriage, the horses, as well as the driver, in spirits, or deep clinging mud, lazy driver and tired horses— long stages of twelve or fifteen miles, with a heavy load. 7. Wishing to make a cross-cut, you are told that, at the next village, you will certainly find horses. Arrive, and while seeking the landlord, let the former stage drive off. Find out that there are no horses in. Perquisitions reluctantly and indolently made for you at the Doctor's, Squire L.'s, &c. unsuccessful, it being the landlord's interest to detain you, and hence 8. A day at a country tavern, no books, amusements, or company. (See Washington Irving's Stout Gentleman) No good wine—no agreeable prospect

—no pleasant scenery—no pretty chambermaids. The day seems like a little eternity

“Nothing there is to come, and nothing past.”

9. Arrive at your destination—hotel full–are corkscrewed up five pair of stairs to a littie, low, dark chamber, with two beds. The servant vanishes under the artful pretence of filling your dressing pitcher, but returns not :—no bell—grope down to the bar—every one busy with the previous customers, in their new coats and smooth chins—barkeeper, from your muddy travelling frock and long beard, takes you for your own servant, and minds nothing you say – dressing to go out—find that everything you want is precisely at the nadir of your trunk, which is not quite so handy as an elephant's — clothes full of wrinkles-cravats yellow – quizzed by the native dandies in the reading and bar-rooms— nobody to whom you have cards at home—your banker in the country to stay a fortnight—little money and no credit-see a fine girl in the street—laughs at your yankee coat instead of falling in love with you, comme de raison—find the reverse of the proverb about a prophet in his own country true—treated rudely at the table d'hôte-quarrel—no friend to take your note—make your dying arrangements; no friend to leave them with—bound over to keep the peace—no friend to be bail—get into the coach to return—every thing worse than before, because you have no curiosity to gratify, and have tired your body and mind into a state of querulous despondence.—Arrive at home, and learn that in your absence your firm has failed, and your mistress married your rival.

wh AT's AN Epio RAM. The first known English Epigram.

A student at his book so plast,
That wealth he might have wonne,
From book to wife did flete in haste,
From wealth to wo to run.
Now who hath paid a feater cast,
Since juggling first beganne
In knitting of himself so fast,
Himself he hath undone.


A clergyman preaching a charity-sermon, February 4, 1778, at a church in the city, during his discourse Pulled out of his pocket a newspaper, and read out of it the following paragraph, viz.-On Sunday, the 18th of January, two ponies ran on the Uxbridge road twenty miles for twenty guineas, and one gained it by about half a head; both ponies ridden by their owners. Also another paragraph of the like kind, of a race on the Romford road, on a Sunday. He made an apology for reading part of a newspaper in the pulpit, said he believed it was the first instance of the kind, and he sincerely wished that there never might be occasion for the like again. He then pointed out the heinous sin of Sabbath breaking.

Hugh Peters, one of the fanatics of Cromwell's time, preaching on Psalm cvii. 7.—“He led them forth by the right way, that they might go to a city of habitation,”—told his audience that God was forty years leading Israel through the wilderness to Canaan, which was not forty days' march ; but that God’s way was a great way about. He then made a circumflex on his cushion, and said that the Israelites were led “crinkledom cum crankledom.”

A preacher in a mosque began the history of Noah with this text from the Koran :-" I have called Noah ;” but forgetting the rest of the verse, repeated the same words over and over. At length one of his hearers cried out, “If Noah will not come, call somebody else.”


A city auctioneer, one Samuel Stubbs,
Did greater execution with his hammer,
Assisted by his puffing clamour,
Than Gog and Magog with their clubs,
Or that great Fee-fa-fum of war,
The Scandinavian Thor,
Did with his mallet, which (see Bryant's
Mythology) fell'd stoutest giants:
For Samuel knock'd down houses, churches,
And woods of oak, and elms and birches,

With greater ease than mad Orlando Tore the first tree he laid his hand to.

He ought, in reason, to have raised his own Lot by knocking others down ; And had he been content with shaking His hammer and his hand, and taking Advantage of what brought him grist, he Might have been as rich as Christie ;But somehow when thy midnight bell, Bow, Sounded along Cheapside its knell, Our spark was busy in Pall-mall Shaking his elbow, Marking, with paw upon his mazzard The turns of hazard; Or rattling in a box the dice, Which seem'd as if a grudge they bore To Stubbs ; for often in a trice, Down on the nail he was compell'd to pay All that his hammer brought him in the day, And sometimes more.

Thus, like a male Penelope, our wight,
What he had done by day undid at night,
No wonder, therefore, if, like her
He was beset by clamorous brutes
Who crowded round him to prefer
Their several suits.
One Mr. Snipps, the tailor, had the longest
Bill for many suits—of raiment,
And naturally thought he had the strongest
Claim for payment.
But debts of honour must be paid,
Whate'er becomes of debts of trade ;
And so our stylish auctioneer,
From month to month throughout the year,
Excuses, falsehoods, pleas alleges
Or flatteries, compliments, and pledges,
When in the latter mood one day
He squeezed his hand, and swore to pay-
“But when "-" Next month-You may de-
pend on't
My dearest Snipps, before the end on't—
Your face proclaims in every feature,
You wouldn't harm a fellow-creature—

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