Selections from Ovid: Chiefly the Metamorphoses (Classic Reprint)

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FB&C Limited, 02.08.2016 - 556 Seiten
Excerpt from Selections From Ovid: Chiefly the Metamorphoses

The poet proposes to tell in a continuous narrative, beginning with the beginning of the world and continuing to his own time, those stories which have in them this element of the marvellous, - the transformations, particularly, of men into plants or animals. But as nearly all myths introduce some such feature first or last, he manages to include most of the important ones with more or less fulness. They are told in a rambling, discursive way, one story leading to another by the slightest possible link of associ ation, - sometimes by what seems merely the poet's artifice, aiming to make a coherent tale out of the vast miscellany at his command.'

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Publius Ovidius Naso (20 March 43 BC--AD 17/18), known as Ovid. Born of an equestrian family in Sulmo, Ovid was educated in rhetoric in Rome but gave it up for poetry. He counted Horace and Propertius among his friends and wrote an elegy on the death of Tibullus. He became the leading poet of Rome but was banished in 8 A.D. by an edict of Augustus to remote Tomis on the Black Sea because of a poem and an indiscretion. Miserable in provincial exile, he died there ten years later. His brilliant, witty, fertile elegiac poems include Amores (Loves), Heroides (Heroines), and Ars Amatoris (The Art of Love), but he is perhaps best known for the Metamorphoses, a marvelously imaginative compendium of Greek mythology where every story alludes to a change in shape. Ovid was admired and imitated throughout the Middle Ages and Renaissance. Chaucer, Spenser, Shakespeare, and Jonson knew his works well. His mastery of form, gift for narration, and amusing urbanity are irresistible.

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