Elements of Criticism.., Band 2Charles Ingham, in Skinner Row, 1772 |
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abſtract accent action Æneid agreeable alſo appears arts beauty becauſe beſt cauſe chap circumſtance cloſe compoſition confidered connected courſe deſcribed deſcription diftinguiſh diſagreeable effect emotions employ'd Engliſh epic example expreſſed expreſſion fame fignify figure fimile firſt fome fuch fyllables garden hath Hexameter houſe Iliad impreſſion inſtances itſelf language laſt leſs meaſure melody mind moſt muſical muſt nature neceſſary object obſerved occafion oppoſite ornaments paffion paſſage paſſion pauſe perſon pleaſe pleaſure poem preſent pronounced proper purpoſe raiſed reaſon reliſh repreſentation repreſented reſemblance reſpect reſt rhyme rule ſaid ſame ſay ſcarce ſcene ſecond ſeen ſenſe ſenſible ſeparated ſerve ſeveral ſhall ſhort ſhould ſingle ſmall ſome ſounds ſpeaking ſpecies ſpectator ſpeech Spondees ſtandard ſtate ſtatue ſteps ſtill ſtyle ſubject ſubſtantive ſuch ſuggeſts ſupport ſuppoſed ſweet taſte theſe thing thoſe thou thought tion uſe verſe whoſe words
Beliebte Passagen
Seite 196 - Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Seite 187 - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Seite 139 - With deafning clamours in the slippery clouds, That, with the hurly," death itself awakes ? Can'st thou, O partial sleep ! give thy repose To the wet sea-boy in an hour so rude ; And in the calmest and most stillest night, With all appliances and means to boot, Deny it to a king? Then, happy low, lie down ! Uneasy lies the head that wears a crown.
Seite 217 - A dungeon horrible, on all sides round, As one great furnace flamed; yet from those flames No light; but rather darkness visible Served only to discover sights of woe, Regions of sorrow, doleful shades, where peace And rest can never dwell, hope never comes That comes to all, but torture without end Still urges, and a fiery deluge, fed With ever-burning sulphur unconsumed.
Seite 138 - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
Seite 138 - And hush'd with buzzing night-flies to thy slumber, Than in the perfum'd chambers of the great, Under the canopies of costly state, And lull'd with sounds of sweetest melody?
Seite 163 - O navis, referent in mare te novi fluctus ! o quid agis ? fortiter occupa portum ! nonne vides ut nudum remigio latus et malus celeri saucius Africo 5 antennaeque gemant ac sine funibus vix durare carinae possint imperiosius aequor?
Seite 138 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Seite 200 - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
Seite 165 - What could have been done more to my vineyard, that I have not done in it ? wherefore, when I looked that it should bring forth grapes, brought it forth wild grapes...