Adaptations of Shakespeare: An Anthology of Plays from the 17th Century to the PresentDaniel Fischlin, Mark Fortier Routledge, 01.05.2014 - 328 Seiten Shakespeare's plays have been adapted or rewritten in various, often surprising, ways since the seventeenth century. This groundbreaking anthology brings together twelve theatrical adaptations of Shakespeares work from around the world and across the centuries. The plays include The Woman's Prize or the Tamer Tamed John Fletcher The History of King Lear Nahum Tate King Stephen: A Fragment of a Tragedy John Keats The Public (El P(blico) Federico Garcia Lorca The Resistible Rise of Arturo Ui Bertolt Brecht uMabatha Welcome Msomi Measure for Measure Charles Marowitz Hamletmachine Heiner Müller Lears Daughters The Womens Theatre Group & Elaine Feinstein Desdemona: A Play About a Handkerchief Paula Vogel This Islands Mine Philip Osment Harlem Duet Djanet Sears Each play is introduced by a concise, informative introduction with suggestions for further reading. The collection is prefaced by a detailed General Introduction, which offers an invaluable examination of issues related to |
Im Buch
Ergebnisse 1-5 von 75
Seite 10
... thou first, / I lov'd the maid I married; never man / Sigh'd truer breath; but that I see thee here, / Thou noble thing, more dances my rapt heart / Than when I first my wedded mistress saw / Bestride my threshold' (4.5.113–118; all ...
... thou first, / I lov'd the maid I married; never man / Sigh'd truer breath; but that I see thee here, / Thou noble thing, more dances my rapt heart / Than when I first my wedded mistress saw / Bestride my threshold' (4.5.113–118; all ...
Seite 25
... thou work, Ere thou know'st good hour more! TRANIO 'Tis too true: Certain, Methinks her father has dealt harshly with her, Exceeding harshly, and not like a father, To match her to this dragon: I protest I pity the poor gentlewoman ...
... thou work, Ere thou know'st good hour more! TRANIO 'Tis too true: Certain, Methinks her father has dealt harshly with her, Exceeding harshly, and not like a father, To match her to this dragon: I protest I pity the poor gentlewoman ...
Seite 27
... thou! Why, can his money kiss me – ROWLAND Yes. LIVIA Behind, Laced out upon a petticoat. – Or grasp me, While I cry, oh, good thank you! (O my troth, Thou makest me merry with thy fear!) or lie with me As you may do? Alas, what fools ...
... thou! Why, can his money kiss me – ROWLAND Yes. LIVIA Behind, Laced out upon a petticoat. – Or grasp me, While I cry, oh, good thank you! (O my troth, Thou makest me merry with thy fear!) or lie with me As you may do? Alas, what fools ...
Seite 28
... thou art married once, thy modesty Will never buy thee pins. LIVIA 'Bless me! MARIA From what? BIANCA From such a tame fool as our cousin Livia! LIVIA You are not mad? MARIA Yes, wench, and so must you be, Or none of our acquaintance ...
... thou art married once, thy modesty Will never buy thee pins. LIVIA 'Bless me! MARIA From what? BIANCA From such a tame fool as our cousin Livia! LIVIA You are not mad? MARIA Yes, wench, and so must you be, Or none of our acquaintance ...
Seite 29
... Thou hast not so much noble anger in thee. MARIA Go sleep, go sleep! What we intend to do Lies not for such starved souls as thou hast, Livia. LIVIA Good night! The bridegroom will be with you presently. MARIA That's more than you know ...
... Thou hast not so much noble anger in thee. MARIA Go sleep, go sleep! What we intend to do Lies not for such starved souls as thou hast, Livia. LIVIA Good night! The bridegroom will be with you presently. MARIA That's more than you know ...
Inhalt
1 | |
23 | |
The History of King Lear | 66 |
A Dramatic Fragment | 97 |
The Public El público | 103 |
The Resistible Rise of Arturo Ui | 125 |
uMabatha | 164 |
Measure for Measure | 188 |
Hamletmachine | 208 |
Lears Daughters | 215 |
A Play About a Handkerchief | 233 |
This Islands Mine | 255 |
Harlem Duet | 285 |
Further Adaptations | 318 |
Andere Ausgaben - Alle anzeigen
Adaptations of Shakespeare: A Critical Anthology of Plays from the ... Daniel Fischlin,Mark Fortier Eingeschränkte Leseprobe - 2000 |
Adaptations of Shakespeare: A Critical Anthology of Plays from the ... Daniel Fischlin,Mark Fortier Eingeschränkte Leseprobe - 2000 |
Adaptations of Shakespeare: An Anthology of Plays from the 17th Century to ... Daniel Fischlin,Mark Fortier Eingeschränkte Leseprobe - 2014 |
Häufige Begriffe und Wortgruppen
adaptation AMAH ANGELO Arturo BASTARD BHANGANE BIANCA BILLIE blood Brecht CANADA Cauliflower Cauliflower Trust CHARACTER IN BELLS CHARACTER IN VINE CLARK CLAUDIO CORDELIA cultural DEBBIE DESDEMONA DIRECTOR Djanet Sears DOGSBOROUGH door DUKE DULLFEET EDGAR EMILIA Enter ESCALUS Exeunt Exit eyes father FOOL friends GIRI give GIVOLA GLOSTER GONERIL Hamletmachine hand Harlem He’s hear Heaven Heiner Müller HOSHWENI ISABELLA JAQUES JODY Juliet KAMADONSELA KENT Khondo King King Lear kiss lady LEAR leave LIVIA look Lord LUCIO LUKE m’lady MABATHA MAFUDU MAGI MAKHIWANE man’s MARIA MARIANNE Marowitz MARTIN Mbathazeli Mdangazeli MISS ROSENBLUM MOROSO MURDERER NANNY never night NURSE O’CASEY OTHELLO Paula Vogel PEDRO PETRONIUS PETRUCHIO PROVOST REGAN ROMA ROWLAND SANGOMA Scene SELWYN Shakespeare Sheet SOPHOCLES speak stage STEPHEN tell theatre theatrical thee There’s thing thou TRANIO What’s WHITE HORSE who’s woman women you’re