The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
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Ergebnisse 1-5 von 37
Seite xxv
... witness the ongoing research of the Grotowski group , led by Thomas Richards and Mario Biagini . What was shown was Action t " not a per- formance , not a theatre piece , " Richards and Biagini insist 1 . Richards the son of American ...
... witness the ongoing research of the Grotowski group , led by Thomas Richards and Mario Biagini . What was shown was Action t " not a per- formance , not a theatre piece , " Richards and Biagini insist 1 . Richards the son of American ...
Seite 12
... witnesses are periodically invited to view the performance structures developed at the Workcenter . the reception of the work by spectators is neither Grotowski's nor Richards ' primary goal . Peter Brook , in a 1987 conference ...
... witnesses are periodically invited to view the performance structures developed at the Workcenter . the reception of the work by spectators is neither Grotowski's nor Richards ' primary goal . Peter Brook , in a 1987 conference ...
Seite 15
... witnesses was truly perceived as irrelevant to their work , then why did the Bauls bother travelling from one place to another to sing in the villages ? Conversely , why would the villagers bother to come and see , if the work did not ...
... witnesses was truly perceived as irrelevant to their work , then why did the Bauls bother travelling from one place to another to sing in the villages ? Conversely , why would the villagers bother to come and see , if the work did not ...
Seite 27
... witnesses , the barely visible eyes peering over the fence to look down on the actions of The Constant Prince . Or . as in Akropolis . the spectators were the living observing the dead or soon - to - be - dead prisoners of Auschwitz . 3 ...
... witnesses , the barely visible eyes peering over the fence to look down on the actions of The Constant Prince . Or . as in Akropolis . the spectators were the living observing the dead or soon - to - be - dead prisoners of Auschwitz . 3 ...
Seite 50
... witnesses ; in consequence their reactions were not natural . The unity of place , time , and action was not accomplished . We solved this problem when we did Marlowe's Doctor Faustus . For the first time we found a direct word - for ...
... witnesses ; in consequence their reactions were not natural . The unity of place , time , and action was not accomplished . We solved this problem when we did Marlowe's Doctor Faustus . For the first time we found a direct word - for ...
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
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acting action activities actor ancient Apocalypsis appears arrived artistic asked aspects associations audience become begins body called character Cieslak close continued create creative culture dance developed direct director discover elements energy essential example exercises exists experience expression face fact feel function give Grotowski hand happen human important individual inner Italy Jerzy kind Laboratory Theatre later living look means meeting move movement nature never Objective Objective Drama observed organic original paratheatrical participants performance period person Photo physical play Poland Polish possible practice precise present Prince production question Richards ritual seems sense simple singing someone song Sources space speak spectators spiritual stage structure techniques theatre theatrical thing tradition understand University vehicle witness young