The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
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Seite 1
... technique rooted in the principles of Stanislavsky's Method of Physical Actions . The group Grotowski founded , the Teatr Laboratorium . developed in a distinctive performance style that emphasized the encounter between actor and ...
... technique rooted in the principles of Stanislavsky's Method of Physical Actions . The group Grotowski founded , the Teatr Laboratorium . developed in a distinctive performance style that emphasized the encounter between actor and ...
Seite 9
... technique ; the conventional structure of dramatic perform- ance was replaced by improvised activities involving spontaneous ... techniques of the actor , a meeting among persons can occur " 1 1982 : 19 1 . Molinari describes Grotowski's ...
... technique ; the conventional structure of dramatic perform- ance was replaced by improvised activities involving spontaneous ... techniques of the actor , a meeting among persons can occur " 1 1982 : 19 1 . Molinari describes Grotowski's ...
Seite 18
... techniques . This tradition finds its " home , " its site of embodiment , in a dislocated interculture that is not African , Indian or Polish . and most certainly not Italian , despite the fact that the physical building where this work ...
... techniques . This tradition finds its " home , " its site of embodiment , in a dislocated interculture that is not African , Indian or Polish . and most certainly not Italian , despite the fact that the physical building where this work ...
Seite 26
... technique . Actors learned to resonate different parts of their bodies , sing and utter sounds of a depth and intensity rarely if ever heard in the theatre before . It seems to me that much of this vocal work has its source in ...
... technique . Actors learned to resonate different parts of their bodies , sing and utter sounds of a depth and intensity rarely if ever heard in the theatre before . It seems to me that much of this vocal work has its source in ...
Seite 27
... techniques were precise , exact , disciplined , learna- ble . The results were indescribable , and would vary from person to person , event to event , moment to moment . In his actor training work during the Theatre of Productions phase ...
... techniques were precise , exact , disciplined , learna- ble . The results were indescribable , and would vary from person to person , event to event , moment to moment . In his actor training work during the Theatre of Productions phase ...
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
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