The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
Im Buch
Ergebnisse 1-5 von 66
Seite xxiii
... Chapter 30 , " Tu es le fils de quelqu'un [ You are someone's son ] . " by Jerzy Grotowski . 31 , 3 : 30—41 . 1987. The current version of the text was revised by Jerzy Grotowski and translated by James Slowiak ACKNOWLEDGMENTS xxiii.
... Chapter 30 , " Tu es le fils de quelqu'un [ You are someone's son ] . " by Jerzy Grotowski . 31 , 3 : 30—41 . 1987. The current version of the text was revised by Jerzy Grotowski and translated by James Slowiak ACKNOWLEDGMENTS xxiii.
Seite 7
... someone or to something which keeps us alive . ( Barba 1995 : 136 ) Barba's imagery of weaving and threads resonates strongly with Grotowski's own evocation of his lifework as being unified by " one sole thread . " I suspect that ...
... someone or to something which keeps us alive . ( Barba 1995 : 136 ) Barba's imagery of weaving and threads resonates strongly with Grotowski's own evocation of his lifework as being unified by " one sole thread . " I suspect that ...
Seite 36
... someone else's flash of intuition , we are filled with humility . We realize that theatre has certain objective laws and that fulfilment is possible only within them , or , as Thomas Mann said , through a kind of " higher obedience ...
... someone else's flash of intuition , we are filled with humility . We realize that theatre has certain objective laws and that fulfilment is possible only within them , or , as Thomas Mann said , through a kind of " higher obedience ...
Seite 39
... someone will begin with the play of the mind and then later leave it for a time and still later come back to it . If this is your way , still do not think of the result but of the process of recognizing the living material INTERVIEW ...
... someone will begin with the play of the mind and then later leave it for a time and still later come back to it . If this is your way , still do not think of the result but of the process of recognizing the living material INTERVIEW ...
Seite 40
... someone who understands you but whom you've never met . Someone you are searching for . There is no single , simple answer . One thing is clear : the actor must give himself and not play for himself or for the spectator . His search ...
... someone who understands you but whom you've never met . Someone you are searching for . There is no single , simple answer . One thing is clear : the actor must give himself and not play for himself or for the spectator . His search ...
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
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Häufige Begriffe und Wortgruppen
acting action activities actor ancient Apocalypsis appears arrived artistic asked aspects associations audience become begins body called character Cieslak close continued create creative culture dance developed direct director discover elements energy essential example exercises exists experience expression face fact feel function give Grotowski hand happen human important individual inner Italy Jerzy kind Laboratory Theatre later living look means meeting move movement nature never Objective Objective Drama observed organic original paratheatrical participants performance period person Photo physical play Poland Polish possible practice precise present Prince production question Richards ritual seems sense simple singing someone song Sources space speak spectators spiritual stage structure techniques theatre theatrical thing tradition understand University vehicle witness young