The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
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Ergebnisse 1-5 von 80
Seite xxviii
... precise , detailed , systematic , physical : a set of practices more than a colloquium of beliefs , His writings can appear inspirational or opaque . But actually working with him was another matter altogether . He belongs to oral ...
... precise , detailed , systematic , physical : a set of practices more than a colloquium of beliefs , His writings can appear inspirational or opaque . But actually working with him was another matter altogether . He belongs to oral ...
Seite 4
... precise details of the activities with which they were involved . Seen from the vantage of the practitioner , it is easy to understand how premature translation of nonverbal processes can threaten the life of a creative work ...
... precise details of the activities with which they were involved . Seen from the vantage of the practitioner , it is easy to understand how premature translation of nonverbal processes can threaten the life of a creative work ...
Seite 10
... precisely are we left with when the spectator's role is erased - or more accurately , recast in the form of co - participant ? What is being represented in a paratheatrical event , which abandons text and structure in search of an ...
... precisely are we left with when the spectator's role is erased - or more accurately , recast in the form of co - participant ? What is being represented in a paratheatrical event , which abandons text and structure in search of an ...
Seite 11
... precisely in this aspect that his later work most closely corresponds to ritual or initiatory practices ) in the ... PRECISION In the early 1980s , Grotowski abandoned participatory work , finding it no more suitable than conventional ...
... precisely in this aspect that his later work most closely corresponds to ritual or initiatory practices ) in the ... PRECISION In the early 1980s , Grotowski abandoned participatory work , finding it no more suitable than conventional ...
Seite 12
... precision " that was the legacy of his work with the Laboratory Theatre ( Grotowski 1990 ) . Grotowski's final work . Art ... precise , concrete relationship exists between Grotowski's work - and the theatre ? " ( Ch . 38 : 379 ) . Like ...
... precision " that was the legacy of his work with the Laboratory Theatre ( Grotowski 1990 ) . Grotowski's final work . Art ... precise , concrete relationship exists between Grotowski's work - and the theatre ? " ( Ch . 38 : 379 ) . Like ...
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
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acting action activities actor ancient Apocalypsis appears arrived artistic asked aspects associations audience become begins body called character Cieslak close continued create creative culture dance developed direct director discover elements energy essential example exercises exists experience expression face fact feel function give Grotowski hand happen human important individual inner Italy Jerzy kind Laboratory Theatre later living look means meeting move movement nature never Objective Objective Drama observed organic original paratheatrical participants performance period person Photo physical play Poland Polish possible practice precise present Prince production question Richards ritual seems sense simple singing someone song Sources space speak spectators spiritual stage structure techniques theatre theatrical thing tradition understand University vehicle witness young