The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
Im Buch
Ergebnisse 1-5 von 80
Seite ii
... participants ? Not so long ago these were settled questions , but today such orthodox answers are unsatisfactory , misleading , and limiting . " Performance " as a theoretical category and as a practice has expanded explosively . It now ...
... participants ? Not so long ago these were settled questions , but today such orthodox answers are unsatisfactory , misleading , and limiting . " Performance " as a theoretical category and as a practice has expanded explosively . It now ...
Seite 3
... . Both Theatre of Participation and Theatre of Sources have been documented almost exclusively GENERAL INTRODUCTION ARIADNE'S THREAD 3 PART I: THEATRE OF PRODUCTIONS, 1957-69 Introduction: Richard Schechner 23 Towards a Poor Theatre.
... . Both Theatre of Participation and Theatre of Sources have been documented almost exclusively GENERAL INTRODUCTION ARIADNE'S THREAD 3 PART I: THEATRE OF PRODUCTIONS, 1957-69 Introduction: Richard Schechner 23 Towards a Poor Theatre.
Seite 4
RICHARD SCHECHNER, Lisa Wolford Wylam. Participation and Theatre of Sources have been documented almost exclusively by occasional or outside participants ; long - term practitioners and workleaders in these projects have tended to be ...
RICHARD SCHECHNER, Lisa Wolford Wylam. Participation and Theatre of Sources have been documented almost exclusively by occasional or outside participants ; long - term practitioners and workleaders in these projects have tended to be ...
Seite 9
... participants . Renata Molinari suggests that despite efforts in a range of contempo- rary theatrical experiments to bridge the division between actors and spectators , the boundary remains more or less fixed so long as performance is ...
... participants . Renata Molinari suggests that despite efforts in a range of contempo- rary theatrical experiments to bridge the division between actors and spectators , the boundary remains more or less fixed so long as performance is ...
Seite 10
... participant ? What is being represented in a paratheatrical event , which abandons text and structure in search of an ... participants ' ( 1984 : 70 ) . Individuals were " free to respond with ' active or passive reactions . " * but were ...
... participant ? What is being represented in a paratheatrical event , which abandons text and structure in search of an ... participants ' ( 1984 : 70 ) . Individuals were " free to respond with ' active or passive reactions . " * but were ...
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting action activities actor ancient Apocalypsis appears arrived artistic asked aspects associations audience become begins body called character Cieslak close continued create creative culture dance developed direct director discover elements energy essential example exercises exists experience expression face fact feel function give Grotowski hand happen human important individual inner Italy Jerzy kind Laboratory Theatre later living look means meeting move movement nature never Objective Objective Drama observed organic original paratheatrical participants performance period person Photo physical play Poland Polish possible practice precise present Prince production question Richards ritual seems sense simple singing someone song Sources space speak spectators spiritual stage structure techniques theatre theatrical thing tradition understand University vehicle witness young