The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
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Seite ii
... A Sourcebook of African - American Performance : Plays , People , Movements edited by Annemarie Bean Brecht Sourcebook edited by Carol Martin and Henry Bial THE GROTOWSKI SOURCEBOOK Edited by Lisa Wolford & Richard Schechner.
... A Sourcebook of African - American Performance : Plays , People , Movements edited by Annemarie Bean Brecht Sourcebook edited by Carol Martin and Henry Bial THE GROTOWSKI SOURCEBOOK Edited by Lisa Wolford & Richard Schechner.
Seite xxviii
... movement of effects is too haphazard , too risky , too fraught with misuses and misinterpretations , That is why he picked who was to have his most secret secrets , who would transmit the work to the next generation . As in the families ...
... movement of effects is too haphazard , too risky , too fraught with misuses and misinterpretations , That is why he picked who was to have his most secret secrets , who would transmit the work to the next generation . As in the families ...
Seite 42
... movements into a cycle of personal impulses -- at that moment we must prolong our determination and not look for the easy . We can " act it " in the bad sense , calculating a move , a look , and thoughts . This is simply pumping . What ...
... movements into a cycle of personal impulses -- at that moment we must prolong our determination and not look for the easy . We can " act it " in the bad sense , calculating a move , a look , and thoughts . This is simply pumping . What ...
Seite 44
... movement . " Your exercises are psycho - physical ; there is an absolute unity between the psychical and the physical , the associa- tions of the body are also the associations of the feelings . How did you develop these exercises and ...
... movement . " Your exercises are psycho - physical ; there is an absolute unity between the psychical and the physical , the associa- tions of the body are also the associations of the feelings . How did you develop these exercises and ...
Seite 50
... movement in the room . Faustus never waited for answers from the spectators , but he observed their eyes and we saw in them some physical symptoms of the impact , and also one could hear their breathing ; something real was happening ...
... movement in the room . Faustus never waited for answers from the spectators , but he observed their eyes and we saw in them some physical symptoms of the impact , and also one could hear their breathing ; something real was happening ...
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
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