The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
Im Buch
Ergebnisse 1-5 von 29
Seite vii
... montage Eugenio Barba 6 Wyspianski's Akropolis Ludwik Flaszen 7 Theatre Laboratory 13 Rzedow Eugenio Barba 8 " I Said Yes to the Past " : Interview with Grotowski Margaret Croyden 56 64 73 83 9 A Myth Vivisected : Grotowski's ...
... montage Eugenio Barba 6 Wyspianski's Akropolis Ludwik Flaszen 7 Theatre Laboratory 13 Rzedow Eugenio Barba 8 " I Said Yes to the Past " : Interview with Grotowski Margaret Croyden 56 64 73 83 9 A Myth Vivisected : Grotowski's ...
Seite 23
... montage of Marlowe's play , described by Barba in Chapter 5. Dr. Faustus was far from Grotowski's first production . After graduating in June 1955 with a diploma in acting from the Krakow Theatre School , he enrolled for a year's course ...
... montage of Marlowe's play , described by Barba in Chapter 5. Dr. Faustus was far from Grotowski's first production . After graduating in June 1955 with a diploma in acting from the Krakow Theatre School , he enrolled for a year's course ...
Seite 26
... montage . The three are in conversation with each other , but are distinct . Grotowski is rare because he is a master of all three : actor training , mise - en - scene , and textual montage . Grotowski himself made the textual montage ...
... montage . The three are in conversation with each other , but are distinct . Grotowski is rare because he is a master of all three : actor training , mise - en - scene , and textual montage . Grotowski himself made the textual montage ...
Seite 27
... montage that took various literary or dramatic texts as material rather than as the original or ultimate source of the performance . In this practice , Grotowski ( though he has never acknowledged any debt 1 , did very much what ...
... montage that took various literary or dramatic texts as material rather than as the original or ultimate source of the performance . In this practice , Grotowski ( though he has never acknowledged any debt 1 , did very much what ...
Seite 32
... by movies and television . Since film and TV excel in the area of mechanical functions ( montage , instantaneous change of place , etc. ) , the Rich Theatre countered with a blatantly compensatory call for 32 JERZY GROTOWSKI.
... by movies and television . Since film and TV excel in the area of mechanical functions ( montage , instantaneous change of place , etc. ) , the Rich Theatre countered with a blatantly compensatory call for 32 JERZY GROTOWSKI.
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting action activities actor ancient Apocalypsis appears arrived artistic asked aspects associations audience become begins body called character Cieslak close continued create creative culture dance developed direct director discover elements energy essential example exercises exists experience expression face fact feel function give Grotowski hand happen human important individual inner Italy Jerzy kind Laboratory Theatre later living look means meeting move movement nature never Objective Objective Drama observed organic original paratheatrical participants performance period person Photo physical play Poland Polish possible practice precise present Prince production question Richards ritual seems sense simple singing someone song Sources space speak spectators spiritual stage structure techniques theatre theatrical thing tradition understand University vehicle witness young