The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
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Seite xxvii
... look deeply into his eyes . the conventional " mirror of the soul , " because either you gazed at eyes reduced in appear- ance by thick glasses or when he took them off . a squint . His health was frail yet he didn't take care of ...
... look deeply into his eyes . the conventional " mirror of the soul , " because either you gazed at eyes reduced in appear- ance by thick glasses or when he took them off . a squint . His health was frail yet he didn't take care of ...
Seite 12
... the theatre ? " ( Ch . 38 : 379 ) . Like Grotowski , Brook seems to conceptualize the post- theatrical work as a continuation rather than a contradiction of what came before . " If you look at this new work 12 LISA WOLFORD.
... the theatre ? " ( Ch . 38 : 379 ) . Like Grotowski , Brook seems to conceptualize the post- theatrical work as a continuation rather than a contradiction of what came before . " If you look at this new work 12 LISA WOLFORD.
Seite 13
RICHARD SCHECHNER, Lisa Wolford Wylam. before . " If you look at this new work closely , you ran see that it was the old direction that continued to develop , to evolve , to become richer and richer , both important and necessary " ( p ...
RICHARD SCHECHNER, Lisa Wolford Wylam. before . " If you look at this new work closely , you ran see that it was the old direction that continued to develop , to evolve , to become richer and richer , both important and necessary " ( p ...
Seite 24
... look derivative of bio - mechanics and expressionism , a kind of forced " avant- gardism . " The young director's ... looks like what the world came to know from Wroclaw's Polish Laboratory Theatre . Indeed a metamorphosis was taking ...
... look derivative of bio - mechanics and expressionism , a kind of forced " avant- gardism . " The young director's ... looks like what the world came to know from Wroclaw's Polish Laboratory Theatre . Indeed a metamorphosis was taking ...
Seite 27
... look down on the actions of The Constant Prince . Or . as in Akropolis . the spectators were the living observing the dead or soon - to - be - dead prisoners of Auschwitz . 3 Textual montage that took various literary or dramatic texts ...
... look down on the actions of The Constant Prince . Or . as in Akropolis . the spectators were the living observing the dead or soon - to - be - dead prisoners of Auschwitz . 3 Textual montage that took various literary or dramatic texts ...
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
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Häufige Begriffe und Wortgruppen
acting action activities actor ancient Apocalypsis appears arrived artistic asked aspects associations audience become begins body called character Cieslak close continued create creative culture dance developed direct director discover elements energy essential example exercises exists experience expression face fact feel function give Grotowski hand happen human important individual inner Italy Jerzy kind Laboratory Theatre later living look means meeting move movement nature never Objective Objective Drama observed organic original paratheatrical participants performance period person Photo physical play Poland Polish possible practice precise present Prince production question Richards ritual seems sense simple singing someone song Sources space speak spectators spiritual stage structure techniques theatre theatrical thing tradition understand University vehicle witness young