The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
Im Buch
Ergebnisse 1-5 von 71
Seite 10
... living present is dissimulated or dissolved , suppressed or deported " ( Derrida 1978 : 235 ) . Grotowski's participatory experiments attempted to access unmediated experience / perception , striving to create events that were " not a ...
... living present is dissimulated or dissolved , suppressed or deported " ( Derrida 1978 : 235 ) . Grotowski's participatory experiments attempted to access unmediated experience / perception , striving to create events that were " not a ...
Seite 12
... living ritual traditions of various cultures , a form of participatory theatre without banality . Yet in this instance as well , the problem of dilettantism emerged ; imprecise execution obstructed the affective capacity of traditional ...
... living ritual traditions of various cultures , a form of participatory theatre without banality . Yet in this instance as well , the problem of dilettantism emerged ; imprecise execution obstructed the affective capacity of traditional ...
Seite 13
... living , permanent relationship between research work without a public and the nourishment that this can give to public performance " ( p . 381 ) . Brook then shifts to a different register , suggesting that " in another epoch . this ...
... living , permanent relationship between research work without a public and the nourishment that this can give to public performance " ( p . 381 ) . Brook then shifts to a different register , suggesting that " in another epoch . this ...
Seite 18
... living tradition surviving in diverse locations and cultural milieux . The last time I saw Grotowski was in 1996 at a symposium in Sao Paolo , Brazil , which focused on research conducted at the Pontedera Workcenter . The symposium was ...
... living tradition surviving in diverse locations and cultural milieux . The last time I saw Grotowski was in 1996 at a symposium in Sao Paolo , Brazil , which focused on research conducted at the Pontedera Workcenter . The symposium was ...
Seite 27
... Living Theatre . Spectators were more like witnesses , the barely visible eyes peering over the fence to look down on the actions of The Constant Prince . Or . as in Akropolis . the spectators were the living observing the dead or soon ...
... Living Theatre . Spectators were more like witnesses , the barely visible eyes peering over the fence to look down on the actions of The Constant Prince . Or . as in Akropolis . the spectators were the living observing the dead or soon ...
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
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Häufige Begriffe und Wortgruppen
acting action activities actor ancient Apocalypsis appears arrived artistic asked aspects associations audience become begins body called character Cieslak close continued create creative culture dance developed direct director discover elements energy essential example exercises exists experience expression face fact feel function give Grotowski hand happen human important individual inner Italy Jerzy kind Laboratory Theatre later living look means meeting move movement nature never Objective Objective Drama observed organic original paratheatrical participants performance period person Photo physical play Poland Polish possible practice precise present Prince production question Richards ritual seems sense simple singing someone song Sources space speak spectators spiritual stage structure techniques theatre theatrical thing tradition understand University vehicle witness young