The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
Im Buch
Ergebnisse 1-5 von 47
Seite 26
... gestures and vocal tones to express feelings and open new interpretations of the literary texts . Flaszen's role was to serve as Devil's advocate and in - house critic , challenging and querying what he saw . Most directors are not so ...
... gestures and vocal tones to express feelings and open new interpretations of the literary texts . Flaszen's role was to serve as Devil's advocate and in - house critic , challenging and querying what he saw . Most directors are not so ...
Seite 27
... gestures , and sounds . 4 The development of a method of actor training combining the most rigorous physical work with psychological - spiritual practices . The underlying theory proposes that what is most intimate and hidden in each ...
... gestures , and sounds . 4 The development of a method of actor training combining the most rigorous physical work with psychological - spiritual practices . The underlying theory proposes that what is most intimate and hidden in each ...
Seite 31
... gesture , is the elementary integer of expression for us . In terms of formal technique , we do not work by proliferation of signs , or by the accumulation of signs ( as in the formal repetitions of Asian theatre ) . Rather , we ...
... gesture , is the elementary integer of expression for us . In terms of formal technique , we do not work by proliferation of signs , or by the accumulation of signs ( as in the formal repetitions of Asian theatre ) . Rather , we ...
Seite 32
RICHARD SCHECHNER, Lisa Wolford Wylam. contradiction ( between gesture and voice , voice and word , word and thought , will and action , etc. ) - here , too , we take the via negativa . It is difficult to say precisely what elements in ...
RICHARD SCHECHNER, Lisa Wolford Wylam. contradiction ( between gesture and voice , voice and word , word and thought , will and action , etc. ) - here , too , we take the via negativa . It is difficult to say precisely what elements in ...
Seite 34
... gesture the actor transforms the floor into a sea , a table into a confessional , a piece of iron into an animate partner , etc. Elimination of music ( live or recorded ) not produced by the actors enables the performance itself to ...
... gesture the actor transforms the floor into a sea , a table into a confessional , a piece of iron into an animate partner , etc. Elimination of music ( live or recorded ) not produced by the actors enables the performance itself to ...
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
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