The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
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Ergebnisse 1-5 von 83
Seite 4
... discernible note of political ambivalence , comments on Grotowski's " distaste for theatre as representation " and suggests that his post - theatrical work provides " the most extreme example of the contemporary urge to 4 LISA WOLFORD.
... discernible note of political ambivalence , comments on Grotowski's " distaste for theatre as representation " and suggests that his post - theatrical work provides " the most extreme example of the contemporary urge to 4 LISA WOLFORD.
Seite 5
RICHARD SCHECHNER, Lisa Wolford Wylam. " the most extreme example of the contemporary urge to turn away from spectacle , spectatorship . and by extension , aesthetics " ( in Marranca and Dasgupta 1991 : 16 ) . Even Eugenio Barba , who ...
RICHARD SCHECHNER, Lisa Wolford Wylam. " the most extreme example of the contemporary urge to turn away from spectacle , spectatorship . and by extension , aesthetics " ( in Marranca and Dasgupta 1991 : 16 ) . Even Eugenio Barba , who ...
Seite 33
... example ) means a sophisticated technical plant , permitting great mobility and dynamism . And if the stage and / or auditorium were mobile , constantly changing perspective would be possible . This is all nonsense . No matter how much ...
... example ) means a sophisticated technical plant , permitting great mobility and dynamism . And if the stage and / or auditorium were mobile , constantly changing perspective would be possible . This is all nonsense . No matter how much ...
Seite 38
... example , if during creation we hide the things that function in our personal lives , you may be sure that our creativity will fall . We present an unreal image of ourselves ; we do not express ourselves and we begin a kind of ...
... example , if during creation we hide the things that function in our personal lives , you may be sure that our creativity will fall . We present an unreal image of ourselves ; we do not express ourselves and we begin a kind of ...
Seite 39
... example , are my associations , my key memories - recognizing these not in thought but through my body's impulses : to become conscious of them , mastering and organizing them , and finding out whether they are stronger now than when ...
... example , are my associations , my key memories - recognizing these not in thought but through my body's impulses : to become conscious of them , mastering and organizing them , and finding out whether they are stronger now than when ...
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
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