The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
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Ergebnisse 1-5 von 85
Seite 1
... elements of costume and scenery in order to focus on the actor's ability to create transformation by means of her / his art alone ( Grotowski 1968 ) . Grotowski rejected the notion of theatre as entertainment , seeking instead to ...
... elements of costume and scenery in order to focus on the actor's ability to create transformation by means of her / his art alone ( Grotowski 1968 ) . Grotowski rejected the notion of theatre as entertainment , seeking instead to ...
Seite 2
... elements from the rituals of other cultures , but rather in terms of their reliance on Christian themes and imagery ... element of Grotowski's work that remained consistent from the. Plate 11 Jerzy Grotowski in the late 1960s . ( Photo ...
... elements from the rituals of other cultures , but rather in terms of their reliance on Christian themes and imagery ... element of Grotowski's work that remained consistent from the. Plate 11 Jerzy Grotowski in the late 1960s . ( Photo ...
Seite 11
... elements as a tool by means of which the human being can undertake a work on her / himself . THE OLD HEAVY BURDEN OF DISCIPLINE AND PRECISION In the early 1980s , Grotowski abandoned participatory work , finding it no more suitable than ...
... elements as a tool by means of which the human being can undertake a work on her / himself . THE OLD HEAVY BURDEN OF DISCIPLINE AND PRECISION In the early 1980s , Grotowski abandoned participatory work , finding it no more suitable than ...
Seite 13
... elements of their work are the same as those of the actor's craft . Indeed , a majority of practitioners in residence at the Workcenter over the past fifteen years come from theatrical backgrounds and have eventually gone on to pursue ...
... elements of their work are the same as those of the actor's craft . Indeed , a majority of practitioners in residence at the Workcenter over the past fifteen years come from theatrical backgrounds and have eventually gone on to pursue ...
Seite 14
... elements associated with Orphic and Eleusinian Mysteries ( see Ch . 39 : 394 ) . This particular transgression of boundaries is not an issue of experimentation with form or genre , but rather problematizes a fundamental division between ...
... elements associated with Orphic and Eleusinian Mysteries ( see Ch . 39 : 394 ) . This particular transgression of boundaries is not an issue of experimentation with form or genre , but rather problematizes a fundamental division between ...
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
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