The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
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Ergebnisse 1-5 von 71
Seite ii
... dance , and music , to secular and religious rituals , to " performance in everyday life , " to intercultural experiments , and more . For more than forty years , The Drama Review ( TDR ) , the journal of performance studies , has been ...
... dance , and music , to secular and religious rituals , to " performance in everyday life , " to intercultural experiments , and more . For more than forty years , The Drama Review ( TDR ) , the journal of performance studies , has been ...
Seite vii
... 1969 Richard Schechner 114 12 The Laboratory Theatre in New York , 1969 : A set of critiques Stefan Brecht 118 13 Why Should I Take Part in the Sacred Dance ? Jan Kott 134 14 Let Grotowski Sacrifice Masculinity Too Charles Ludlam 141 15.
... 1969 Richard Schechner 114 12 The Laboratory Theatre in New York , 1969 : A set of critiques Stefan Brecht 118 13 Why Should I Take Part in the Sacred Dance ? Jan Kott 134 14 Let Grotowski Sacrifice Masculinity Too Charles Ludlam 141 15.
Seite xviii
... dancer , working in both kebyar and topeng dance - theatre . He was one of Jerzy Grotwoski's technical specialists in the Objective Drama Program at the University of California - Irvine . Charles Ludlam . actor , director , and ...
... dancer , working in both kebyar and topeng dance - theatre . He was one of Jerzy Grotwoski's technical specialists in the Objective Drama Program at the University of California - Irvine . Charles Ludlam . actor , director , and ...
Seite xxiii
... Dance , " subsequently appeared in the collection Theatre of Essence , Evanston . III : Northwestern University Press . 1984 . 139—145 . It is reprinted here by permission of the author and publisher . Chapter 20 . " Grotowski's ...
... Dance , " subsequently appeared in the collection Theatre of Essence , Evanston . III : Northwestern University Press . 1984 . 139—145 . It is reprinted here by permission of the author and publisher . Chapter 20 . " Grotowski's ...
Seite 12
... dance - forms . " Theatre of Sources revealed real possibilities . But it was clear that we could not realize them in toto if we did not pass beyond a somewhat ' impromptu ' level " ( 1995 : 121 ) . Beginning with Objective Drama ...
... dance - forms . " Theatre of Sources revealed real possibilities . But it was clear that we could not realize them in toto if we did not pass beyond a somewhat ' impromptu ' level " ( 1995 : 121 ) . Beginning with Objective Drama ...
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
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Häufige Begriffe und Wortgruppen
acting action activities actor ancient Apocalypsis appears arrived artistic asked aspects associations audience become begins body called character Cieslak close continued create creative culture dance developed direct director discover elements energy essential example exercises exists experience expression face fact feel function give Grotowski hand happen human important individual inner Italy Jerzy kind Laboratory Theatre later living look means meeting move movement nature never Objective Objective Drama observed organic original paratheatrical participants performance period person Photo physical play Poland Polish possible practice precise present Prince production question Richards ritual seems sense simple singing someone song Sources space speak spectators spiritual stage structure techniques theatre theatrical thing tradition understand University vehicle witness young