The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
Im Buch
Ergebnisse 1-5 von 71
Seite 13
... begin with a detailed consideration of how , concretely , the activities of the Pontedera Work- center have fed back into more recognizable forms of artistic work . Both Grotowski and Richards emphasized that the foundational elements ...
... begin with a detailed consideration of how , concretely , the activities of the Pontedera Work- center have fed back into more recognizable forms of artistic work . Both Grotowski and Richards emphasized that the foundational elements ...
Seite 31
... begins to dance , to sing . A sign , not a common gesture , is the elementary integer of expression for us . In terms of formal technique , we do not work by proliferation of signs , or by the accumulation of signs ( as in the formal ...
... begins to dance , to sing . A sign , not a common gesture , is the elementary integer of expression for us . In terms of formal technique , we do not work by proliferation of signs , or by the accumulation of signs ( as in the formal ...
Seite 33
... begins to play a part in the performance . It also became evident that the actors , like figures in El Greco's paintings , can " illuminate " through personal technique , becoming a source of " spiritual light . " We abandoned make - up ...
... begins to play a part in the performance . It also became evident that the actors , like figures in El Greco's paintings , can " illuminate " through personal technique , becoming a source of " spiritual light . " We abandoned make - up ...
Seite 38
... begin a kind of intellectual or philosophical flirtation - we use tricks , and creativity is impossible . We cannot hide our personal , essential things - even if they are sins . On the contrary , if these sins are very deeply rooted ...
... begin a kind of intellectual or philosophical flirtation - we use tricks , and creativity is impossible . We cannot hide our personal , essential things - even if they are sins . On the contrary , if these sins are very deeply rooted ...
Seite 39
... begin juggling known things . That is why we must look without fixing our attention on the result . What do we look for ? What , for example , are my associations , my key memories - recognizing these not in thought but through my ...
... begin juggling known things . That is why we must look without fixing our attention on the result . What do we look for ? What , for example , are my associations , my key memories - recognizing these not in thought but through my ...
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
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Häufige Begriffe und Wortgruppen
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