The Grotowski SourcebookRICHARD SCHECHNER, Lisa Wolford Wylam Routledge, 05.11.2013 - 548 Seiten This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner. |
Im Buch
Ergebnisse 1-5 von 85
Seite xviii
... actor , director , and playwright , was founder and artistic director of the Ridiculous Theatre Company . His noted ... Acting and Directing ( Applause 1997 ) . Zbigniew Osinski was born in Poznan . Poland , in 1939. A theatre historian ...
... actor , director , and playwright , was founder and artistic director of the Ridiculous Theatre Company . His noted ... Acting and Directing ( Applause 1997 ) . Zbigniew Osinski was born in Poznan . Poland , in 1939. A theatre historian ...
Seite 1
... actor and spectator as the core of the theatrical exchange , stripping away extraneous elements of costume and scenery in order to focus on the actor's ability to create transformation by means of her / his art alone ( Grotowski 1968 ) ...
... actor and spectator as the core of the theatrical exchange , stripping away extraneous elements of costume and scenery in order to focus on the actor's ability to create transformation by means of her / his art alone ( Grotowski 1968 ) ...
Seite 3
... actor to accomplish his or her work without obstruction and also without waiting for random inspira- tion . This notion that the actor's craft , while by no means scientific , is governed by certain " objective laws " ( Grotowski 1968 ...
... actor to accomplish his or her work without obstruction and also without waiting for random inspira- tion . This notion that the actor's craft , while by no means scientific , is governed by certain " objective laws " ( Grotowski 1968 ...
Seite 8
... actor and spectator as the core element of the theatrical exchange . " At least one spectator is needed to make it a performance . [ . . . ] We can thus define the theatre as ' what takes place between spectator and actor " 1 1968 : 32 ...
... actor and spectator as the core element of the theatrical exchange . " At least one spectator is needed to make it a performance . [ . . . ] We can thus define the theatre as ' what takes place between spectator and actor " 1 1968 : 32 ...
Seite 19
... actor to realize this quality of psychic transparency . When the actor works in this way , Vassiliev elaborated , nothing is methodical ; he becomes entirely open , a channel for the divine . If the channel of transparency is opened ...
... actor to realize this quality of psychic transparency . When the actor works in this way , Vassiliev elaborated , nothing is methodical ; he becomes entirely open , a channel for the divine . If the channel of transparency is opened ...
Inhalt
1 | |
38 | |
Textual montage | 56 |
Wyspianskis Akropolis | 64 |
Theatre Laboratory 13 Rzedow | 73 |
Grotowskis Apocalypsis | 88 |
Interview with Grotowski | 107 |
The Laboratory Theatre in New York 1969 | 114 |
The Vigil Czuwanie | 226 |
A prose meditation on Grotowski | 248 |
Lisa Wolford | 283 |
Grotowski or the Limit | 306 |
Some parallels in the training process | 312 |
Subjective Reflections on Objective Work | 328 |
Breaking the silence | 350 |
Objective Drama | 356 |
Why Should I Take Part in the Sacred Dance? | 134 |
Let Grotowski Sacrifice Masculinity | 141 |
Grotowski Right Did the Word Come Last? | 152 |
Jerzy Grotowski | 161 |
Dissolution and diaspora | 172 |
In Memory of Ryszard Cieslak | 189 |
Richard Schechner | 207 |
The day that is holy | 215 |
Lisa Wolford | 367 |
Performer | 376 |
From Objective Drama to | 385 |
Where is Gurutowski? | 404 |
Shapeshifter shaman trickster artist adept | 460 |
Notes | 495 |
Index | 510 |
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