The Grotowski Sourcebook
This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work.
Edited by the two leading experts on Grotowski, the sourcebook features:
*essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz
*writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle'
*a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards
*an array of photographs documenting Grotowski and his followers in action
*a historical-critical study of Grotowski by Richard Schechner.
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The day that is holy
The Vigil Czuwanie
A prose meditation on Grotowski
OBJECTIVE DRAMA 198386
Grotowski or the Limit
Some parallels in the training process
Subjective Reflections on Objective Work
Breaking the silence
The Laboratory Theatre in New York 1969
Why Should I Take Part in the Sacred Dance?
Let Grotowski Sacrifice Masculinity
Is Grotowski Right Did the Word Come Last?
Dissolution and diaspora
In Memory of Ryszard Cieslak
ART AS VEHICLE 1986
Grotowski Art as a Vehicle
Where is GurutowskH
Exoduction Shapeshifter shaman trickster artist adept
Bibliography and References Cited 503
Andere Ausgaben - Alle anzeigen
acting activities actor Akropolis ancient Apocalypsis Apocalypsis cum figuris Art as Vehicle artistic asked audience Auschwitz Balinese become begins Biagini body Constant Prince create creative culture Cynkutis dance developed direct director doers elements energy Eugenio Barba example exercises experience Faustus feel Flaszen fragments gestures Grotowski's theatre Gurdjieff Haiti Haitian Hasidic human individual inner action Jan Kott Jerzy Grotowski Kabuki kind Kordian Laboratory Theatre living look means Mephistopheles montage movement Objective Drama Opole Osinski paratheatrical participants performing structure person Peter Brook Photo play Poland Polish Pontedera Poor Theatre possible practice precise question Richard Schechner ritual Ryszard Cieslak scene Schechner sense silence Simon Peter Simpleton simply singing Slowiak someone song space speak spectators spiritual stage Stanislavsky T.S. Eliot techniques Theatre Laboratory Theatre of Productions Theatre of Sources theatrical thing tradition witness words Workcenter Wroclaw yantra