Margaret Webster: A Life in the TheaterUniversity of Michigan Press, 24.02.2010 - 400 Seiten "In Milly Barranger, Margaret Webster has found the perfect biographer. In Margaret Webster, Milly Barranger has found her perfect subject. She brings to vivid life a fascinating and important theater figure whose public and private lives were of equal interest. In this carefully researched book, Webster's colleagues, lovers, and friends shine as brightly as she did. I wish she were here to read it." -Marian Seldes "Margaret Webster is a highly welcome addition to our knowledge of the first important female director in American theater. Remembered now especially for her staging of Othello with Paul Robeson, Uta Hagen, and Jose Ferrer, Margaret Webster was probably the best-known, in-demand, and admired director of Shakespeare in America in the 1940s and 1950s. Fascinating throughout, the book's discussions of working with Robeson, and of HUAC, which targeted her just as her career was reaching a peak, make for especially engrossing reading." -Oscar Brockett Margaret Webster: A Life in the Theater is an engrossing backstage account of the life of pioneering director Margaret Webster (1905-72). This is the first book-length biography of Webster, a groundbreaking stage and opera director whose career challenged not only stage tradition but also mainstream attitudes toward professional women. Often credited with first having brought Shakespeare to Broadway, and renowned for her bold casting of an African American (Paul Robeson) in the role of Othello, Webster was a creative force in modern American and British theater. Her story reveals the independent-minded artist undeterred by stage tradition and unmindful of rules about a woman's place in the professional theater. In addition to providing fascinating glimpses into Webster's personal and family life, Margaret Webster: A Life in the Theater also offers a who's-who list of the biggest names in New York and London theater of the time, as well as Hollywood: John Gielgud, Noël Coward, George Bernard Shaw, Uta Hagen, Sybil Thorndike, Eva LeGallienne, and John Barrymore, among others, all of whom crossed paths with Webster. Capping Webster's amazing story is her investigation by Senator Joseph McCarthy and HUAC, which left her unable to work for a year, and from which she never fully recovered. |
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... directors —United States—Biography. I. Barranger, Milly S. II. Title. III. Series. PN2287.W4555A3 2004 792.02'33'092—dc22 2003024582 ISBN13 978-0-472-02603-6 (electronic) FOR BERENICE WEILER PREFACE On director Margaret Webster's desk in.
... directors —United States—Biography. I. Barranger, Milly S. II. Title. III. Series. PN2287.W4555A3 2004 792.02'33'092—dc22 2003024582 ISBN13 978-0-472-02603-6 (electronic) FOR BERENICE WEILER PREFACE On director Margaret Webster's desk in.
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A Life in the Theater Milly S. Barranger. FOR BERENICE WEILER PREFACE On director Margaret Webster's desk in the offices of.
A Life in the Theater Milly S. Barranger. FOR BERENICE WEILER PREFACE On director Margaret Webster's desk in the offices of.
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... director preparing for one of the most momentous openings of a theatrical lifetime. There was also an elaborate timepiece containing three clocks. At a glance, it provided the time in London, where she had spent her childhood and begun ...
... director preparing for one of the most momentous openings of a theatrical lifetime. There was also an elaborate timepiece containing three clocks. At a glance, it provided the time in London, where she had spent her childhood and begun ...
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... director Liz Woodman for arranging interviews with various individuals; to Rhoda Levine, who shared with me her experiences as a director and choreographer with the New York City Center Opera Company; and to Sloane Shelton, Gina Shields ...
... director Liz Woodman for arranging interviews with various individuals; to Rhoda Levine, who shared with me her experiences as a director and choreographer with the New York City Center Opera Company; and to Sloane Shelton, Gina Shields ...
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... director of Shakespearean plays on Broadway. A single telephone call from actor-manager Maurice Evans catapulted her from a secondary character actress to a stage director in control of the production process. To trace Webster's life in ...
... director of Shakespearean plays on Broadway. A single telephone call from actor-manager Maurice Evans catapulted her from a secondary character actress to a stage director in control of the production process. To trace Webster's life in ...
Inhalt
The Old Vic and the West | |
Broadway Nights | |
Giants and Pygmies | |
Battle of Angels | |
The Making of Othello | |
Life at the Opera | |
McCarthy | |
Unfinished Business | |
Losing Battles | |
Epilogue | |
Notes | |
Selected Bibliography | |
The American Repertory Theatre | |
Andere Ausgaben - Alle anzeigen
Margaret Webster: A Life in the Theater Milly S. Barranger,Margaret Webster Eingeschränkte Leseprobe - 2004 |
Häufige Begriffe und Wortgruppen
acting actors actress American Repertory Theatre appeared artistic asked audiences Battle of Angels Bing Boston British Broadway Brooks Atkinson called career Casson cast Chekhov’s Cheryl Crawford chorus City Center comedy Committee Communist costumes critics Daughter designer Despite Different directed director Don Carlo Edith Craig Equity Eva Le Gallienne Evans’s February friends Gallienne’s Hamlet Hollywood John Gielgud José Ferrer Lady Langner letter to ELG London Lunts Macbeth Mady Christians manager Margaret Webster Martha’s Vineyard Marweb Masha matinee Maurice Evans MISS WEBSTER never Nonetheless November October Old Vic opening night opera Othello parents Paul Robeson Peggy Peggy’s performance play play’s Players playwright production professional Queen rehearsals Richard role scene scenery season Shakespeare Shakespeare without Tears Shaw’s Sheehy Stage star Street success Sybil Thorndike Theatre Guild theatrical tour Uta Hagen Webster returned weeks West End Weston Whitty Williams Wolfit woman women York City young