The Works of Christopher Marlowe, Band 1Houghton, Mifflin, 1885 |
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Seite ix
... poor was the state of dramatic art at the young poet's advent . It was Marlowe who created , in the true sense of the word , English blank verse , and VOL . I. b • constituted it the sole vehicle of dramatic expression for INTRODUCTION.
... poor was the state of dramatic art at the young poet's advent . It was Marlowe who created , in the true sense of the word , English blank verse , and VOL . I. b • constituted it the sole vehicle of dramatic expression for INTRODUCTION.
Seite xiv
... words " When in his early age " can only mean that the poet was a boy - actor at the Curtain ; but we know that he could not possibly have been connected with the stage before 1583. I have not seen the MS . , and so am unable to deliver ...
... words " When in his early age " can only mean that the poet was a boy - actor at the Curtain ; but we know that he could not possibly have been connected with the stage before 1583. I have not seen the MS . , and so am unable to deliver ...
Seite xxiv
... word must be said about Marlowe's introduction of blank verse . Unrhymed verse of ten syllables had been employed both for epic and dramatic purposes before Marlowe's time . The Earl of Surrey , in his translation of Books ii . and iv ...
... word must be said about Marlowe's introduction of blank verse . Unrhymed verse of ten syllables had been employed both for epic and dramatic purposes before Marlowe's time . The Earl of Surrey , in his translation of Books ii . and iv ...
Seite xxxiii
... word ; and we must part , however reluctantly , with the tender and pitiful colloquy.1 My view , then , is that Marlowe revised his work ; that the quartos of 1604 and 1616 were both printed from imperfect and interpolated play - house ...
... word ; and we must part , however reluctantly , with the tender and pitiful colloquy.1 My view , then , is that Marlowe revised his work ; that the quartos of 1604 and 1616 were both printed from imperfect and interpolated play - house ...
Seite xxxiv
... words are very numerous . For information as to the origin and growth of the Faust - legend , I refer the reader to the elaborate intro- ductions by Professor Ward and the late Professor Wagner to their editions of Faustus . The point ...
... words are very numerous . For information as to the origin and growth of the Faust - legend , I refer the reader to the elaborate intro- ductions by Professor Ward and the late Professor Wagner to their editions of Faustus . The point ...
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2nd Schol Africa ANIPPE arms Bajazeth behold Benv Benvolio blood Callapine Casane Christian Christopher Marlowe Clown conjurer conquered Cosroe crown cursed Damascus damnèd death devil Doctor Faustus doth Duke Dyce earth edition Emperor Exeunt Exit Faustus fear Friars friends fury give grace hand hath head heart heaven Hell Hero and Leander holy honour horse Horse-C J. P. Collier Jew of Malta Jove king King of Fez lines live looks lord Lucifer Mahomet majesty Marlowe Marlowe's Master Doctor Meander Meph Mephistophilis mighty Nashe Natolia never Old copies passage Persian pity play poet Pope princely repent Robin SCENE Scythian Shakespeare sirrah slave soldiers soul spirits sweet sword Tamb Tamburlaine Tech Techelles tell thee Ther Theridamas thine thou shalt thousand thyself Turk unto Usum USUMCASANE victory villain Wagner wilt words wound Zeno ΙΟ