Human Shadows Bright as Glass: Drama as Speculation and TransformationBucknell University Press, 1997 - 271 Seiten A fresh approach to the dramatic experience is attempted in this book. It begins with a consideration of Edmund Husserl's attempt to clarify our understanding of immediate experience and takes into account Martin Heidegger's and Hans-Georg Gadamer's movements from the phenomenology toward the individual's complex interactions and involvements in a world. |
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Seite 14
... play between such contraries and in speculation about their correlation . Not fortified by an expectation to answer such questions about drama with authority or finality , I would hope to find footings and explore qualities of the ...
... play between such contraries and in speculation about their correlation . Not fortified by an expectation to answer such questions about drama with authority or finality , I would hope to find footings and explore qualities of the ...
Seite 15
... play , and they represent the relationships we have with them : they are subjectivities engaged with objects who are other subjectivities . As Jean Simmons is for us an actress playing Ophelia , Laurence Olivier is for her an actor ...
... play , and they represent the relationships we have with them : they are subjectivities engaged with objects who are other subjectivities . As Jean Simmons is for us an actress playing Ophelia , Laurence Olivier is for her an actor ...
Seite 16
... play is a world in time , a flow of presence , making meanings of mere facts— we experience character or world in what appears — by invoking pur- poses and designs that elude the facts and remain problematical , mys- terious . This ...
... play is a world in time , a flow of presence , making meanings of mere facts— we experience character or world in what appears — by invoking pur- poses and designs that elude the facts and remain problematical , mys- terious . This ...
Seite 17
... play . I have at tempted to recognize and illuminate an essence , which is connection and relationship itself , in the corporeality of the play's presentation ; that event seen and heard reveals beyond the seeing and hearing and ...
... play . I have at tempted to recognize and illuminate an essence , which is connection and relationship itself , in the corporeality of the play's presentation ; that event seen and heard reveals beyond the seeing and hearing and ...
Seite 18
... play , to draw conclusions about it or at least to speculate on its connections with his or her world . Essential to that relatedness of plays is their referentiality of plays themselves , as plays , to worlds , to the primary world of ...
... play , to draw conclusions about it or at least to speculate on its connections with his or her world . Essential to that relatedness of plays is their referentiality of plays themselves , as plays , to worlds , to the primary world of ...
Inhalt
9 | |
The Play | 28 |
Audience and Author | 63 |
Human Being and World | 103 |
Presenting Recollecting Projecting | 151 |
The Play of Imagination | 233 |
Notes | 249 |
Works Cited | 262 |
Andere Ausgaben - Alle anzeigen
Human Shadows Bright As Glass: Drama As Speculation and Transformation Howard Pearce Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
action activity actual aesthetic Alexander alien allusion angel anticipation appears Aristotle artist audience audience's become certainty characters Cherry Orchard Clytemnestra connections creating darkness detritus dimension discovery drama dream Dumb Waiter Edvard ence engaged entertainment essence essential event experience Fanny and Alexander fiction film five and dime freedom French Lieutenant's Woman Gadamer Gadamer's Glass Menagerie Heidegger Heidegger's human Husserl's idea ideal identity illusion imagination interpretation involvement James Dean Jimmy Dean Joanne Laura Les Chaises little world memory merely Merrick metaphor mimesis mimetic mirror Mona mystery object Oedipus Orestes participation past performance Pinter's play play's playwright poet possible present question reality recognize reflect relationship relic remains representation represented reunion reveals role seems sense Solness speculation stage sublime talk theater theatrum things thought tion transcendence transformation into structure Treves tribute truth Truth and Method understanding Wallace Stevens Woman York
Beliebte Passagen
Seite 44 - The reader should be carried forward, not merely or chiefly by the mechanical impulse of curiosity, or by a restless desire to arrive at the final solution ; but by the pleasurable activity of mind excited by the attractions of the journey itself.
Seite 90 - Rather the repetition, makes a reciprocative rejoinder to the possibility of that existence which has-been-there. But when such a rejoinder is made to the possibility in a resolution, it is made in a moment of vision; and as such it is at the same time a disavowal of that which in the "today", is working itself out as the 'past'.
Seite 77 - But tragedians still keep to real names, the reason being that what is possible is credible: what has not happened we do not at once feel sure to be possible: but what has happened is manifestly possible; otherwise it would not have happened.
Seite 45 - During the act of knowledge itself, the objective and subjective are so instantly united, that we cannot determine to which of the two the priority belongs. There is here no first, and no second; both are coinstantaneous and one.
Seite 83 - It is a wretched thing to confess; but it is a very fact that not one word I ever utter can be taken for granted as an opinion growing out of my identical Nature — how can it, when I have no nature?
Seite 203 - And wisdom at one entrance quite shut out. So much the rather thou, celestial Light, Shine inward, and the mind through all her powers Irradiate ; there plant eyes, all mist from thence Purge and disperse , that I may see and tell Of things invisible to mortal sight.
Seite 88 - You and I, the characters which grow on a page, most of the time we're inexpressive, giving little away, unreliable, elusive, evasive, obstructive, unwilling. But it's out of these attributes that a language arises. A language, I repeat, where under what is said, another thing is being said.
Seite 69 - Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason. Coleridge, for instance, would let go by a fine isolated verisimilitude caught from the Penetralium of mystery, from being incapable of remaining content with halfknowledge.
Seite 177 - Everyone should know nowadays the unimportance of the photographic in art: that truth, life, or reality is an organic thing which the poetic imagination can represent or suggest, in essence, only through transformation, through changing into other forms than those which were merely present in appearance.
Seite 215 - And out of the ground the LORD God formed every beast of the field, and every fowl of the air; and brought them unto Adam to see what he would call them: and whatsoever Adam called every living creature, that was the name thereof.