The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, Band 10University of Delaware Press, 1997 - 365 Seiten Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
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Seite 11
... experience of international productions as well as his deep knowledge of British and American theater . As an indefatigable scholar and critic , he searched for every possible means to illuminate Shakespeare's artistry as both poet and ...
... experience of international productions as well as his deep knowledge of British and American theater . As an indefatigable scholar and critic , he searched for every possible means to illuminate Shakespeare's artistry as both poet and ...
Seite 17
... experience with both the stage and criticism , and I thought that I might be able to contribute to Shakespeare ... experiences , as they taught me that Shakespeareans tend to be , like their favorite subject , generous and creative ; and ...
... experience with both the stage and criticism , and I thought that I might be able to contribute to Shakespeare ... experiences , as they taught me that Shakespeareans tend to be , like their favorite subject , generous and creative ; and ...
Seite 22
... experiences of the plays . But the growing body of scholars , who concentrated so brilliantly on Shakespeare's words and thoughts , usually were not concerned with the intimate relationship of his texts to his theater art . Typically ...
... experiences of the plays . But the growing body of scholars , who concentrated so brilliantly on Shakespeare's words and thoughts , usually were not concerned with the intimate relationship of his texts to his theater art . Typically ...
Seite 23
... experienced the turgid depths of humanity Shake- speare could explore when , after college , I directed Othello and gave myself the plum role of Iago . Later , after the war , when I left the U.S. State Department ( I was Chief of the ...
... experienced the turgid depths of humanity Shake- speare could explore when , after college , I directed Othello and gave myself the plum role of Iago . Later , after the war , when I left the U.S. State Department ( I was Chief of the ...
Seite 30
... experience a lifetime of pressures , passions , and pain . Stressed as they are by others , by hostile circumstance , by inner torment , they are at various times kind , cruel , happy , anguished , open , crafty , loving , hating ...
... experience a lifetime of pressures , passions , and pain . Stressed as they are by others , by hostile circumstance , by inner torment , they are at various times kind , cruel , happy , anguished , open , crafty , loving , hating ...
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Häufige Begriffe und Wortgruppen
action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words
Beliebte Passagen
Seite 108 - O, reason not the need ! our basest beggars Are in the poorest thing superfluous : Allow not nature more than nature needs, Man's life is cheap, as beast's : thou art a lady ; If only to go warm were gorgeous, Why, nature needs not what thou gorgeous wear'st, Which scarcely keeps thee warm.
Seite 106 - Hear, nature, hear ; dear goddess, hear ! — Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase ; And from her derogate body never spring A babe to honour her ! If she must teem, Create her child of spleen ; that it may live, And be a thwart disnatured torment to her...
Seite 110 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads, and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these...
Seite 125 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Seite 98 - From too much liberty, my Lucio, liberty ; As surfeit is the father of much fast, So every scope by the immoderate use Turns to restraint; our natures do pursue (Like rats that ravin down their proper bane,) A thirsty evil ; and when we drinK, we die.
Seite 290 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
Seite 209 - Sir, I love you more than words can wield the matter; Dearer than eyesight, space, and liberty; Beyond what can be valued, rich or rare...