Quotation and Modern American Poetry: "Imaginary Gardens With Real Toads"
Texas A&M University Press, 1996 - 256 Seiten
In this volume Elizabeth Gregory addresses a number of key issues surrounding the formation of the American poetic canon. Taking as her primary examples T. S. Eliot's Waste Land, William Carlos Williams' Paterson, and selected poems by Marianne Moore, she examines the ways in which modern American writers struggled with questions of literary authority and cultural identity in relation to pre-existing European models.
Gregory focuses on these issues through analysis of the use of quotation in modern and postmodern literature, a practice that was strikingly divergent from the accepted use of literary allusion.
Her introduction traces a history of quotation as it has been practiced in literature from classical to modern times. She then focuses on the texts of Eliot, Williams, and Moore—three central figures of American modernism whose work the author believes represents a spectrum of responses to the established European model of poetical discourse.
Gregory's selection of Moore also allows her to deal with feminist concerns as they emerge in the more general modernist dialogue. How was a female writer to make use of a literary canon that traditionally excluded female participation? "The implications of Gregory's argument . . . will surely be of especial interest to feminist scholars of American poetry."—Lois Parkinson Zamora, University of Houston.
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Andere Ausgaben - Alle anzeigen
acknowledge allusions American appear argues argument associated attempt authority beginning borrowing called cited claims clear close comes complexity concern continues critics culture death demonstrated describes desire direct discussion earlier echoes effect Eliot employs evidence example fact father female feminine figure follows further gender gives hierarchy influence instance involves issues kind language less letters lines literary loss male Marianne Moore marks means method Milton modernist Moore Moore's mother move notes offers once operate originality particular past Paterson pattern phrase play poem poem's poet poetic poetry position possibility Pound present provides question quotation quotes readers reference relation represents role romantic secondary seems sense serves silence sort sources speak specifically standard story structure suggests texts things tion tradition transformation understanding voice Waste Land Williams Williams's woman women writing
Seite 15 - And God said, Let there be a firmament in the midst of the waters, and let it divide the waters from the waters. And God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament: and it was so. And God called the firmament Heaven. And the evening and the morning were the second day.
Seite 5 - Ye have heard that it was said by them of old time, Thou shalt not kill; and whosoever shall kill shall be in dang-er of the judgment: But I say unto you, That whosoever is angry with his brother without a cause, shall be in danger of the judgment...