Shakespeare and the Reason: A Study of the Tragedies and the Problem PlaysRoutledge & Paul, 1964 - 206 Seiten |
Im Buch
Ergebnisse 1-3 von 19
Seite 127
... moral horror which Shakespeare's contemporaries would have prided themselves on feeling in connection with the misuse of statements which pur- port to be factual . Because its ' evil ' characters are involved in equivocation and are ...
... moral horror which Shakespeare's contemporaries would have prided themselves on feeling in connection with the misuse of statements which pur- port to be factual . Because its ' evil ' characters are involved in equivocation and are ...
Seite 139
... moral ) . Macbeth's becoming Cawdor was good since it was both desirable and moral ; his becoming King will be good , whether moral or not , since it is desirable.1 He goes on : Present fears Are less than horrible imaginings . My ...
... moral ) . Macbeth's becoming Cawdor was good since it was both desirable and moral ; his becoming King will be good , whether moral or not , since it is desirable.1 He goes on : Present fears Are less than horrible imaginings . My ...
Seite 195
... moral arguments and they state a moral case . They depict a reason which looks downwards with the body , towards the world , and an intuition which looks upwards with the spirit , towards God . They argue that the values of reason , and ...
... moral arguments and they state a moral case . They depict a reason which looks downwards with the body , towards the world , and an intuition which looks upwards with the spirit , towards God . They argue that the values of reason , and ...
Inhalt
APPEAR | 1 |
HAMLET | 39 |
THE PROBLEM PLAYS | 72 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
acceptance action activities Angels appearance argues argument aspect becomes beginning called cause claim Claudius concept concerned constitutes Cordelia course Court deal death deceived Desdemona Edgar effect Elizabethan equivocation evil exists express extent face fact faculty finally finds follow Fool force gives Hamlet heaven higher honour human Iago Iago's idea intuitive involves Justice kind King knowledge Lady later Lear Lear's less lies London looks lower Macbeth madness man's manliness manner matter means Measure mind mode moral murder nature needs Nevertheless notion opposed opposition Othello perhaps play play's plot position present problem question rational reached reality reason result reveals role says seems seen sense Shakespeare similar simple situation sort soul speaks speech spiritual stage statement structure suggests takes things thinking thou thought tragedy Troilus true truth values Witches