The Sonnets of ShakespeareGinn, 1904 - 145 Seiten |
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Seite vii
... leave of the publisher , I have used as the basis of the present Introduction ; and the rest of my editorial work has consisted in dividing up the sonnets into groups and annotating them . As there are already before the public not a ...
... leave of the publisher , I have used as the basis of the present Introduction ; and the rest of my editorial work has consisted in dividing up the sonnets into groups and annotating them . As there are already before the public not a ...
Seite viii
... leave the description of them to my successor . In anticipation , however , of a charge of needlessly attacking previous editors , I should like to say that I have thought it for the advantage of students to show not only what in any ...
... leave the description of them to my successor . In anticipation , however , of a charge of needlessly attacking previous editors , I should like to say that I have thought it for the advantage of students to show not only what in any ...
Seite xiv
... leave behind me living works indeed ; For such a poem , such a painting , lives . What ? dost thou verily trip upon a word , Confound the accurate view of what joy is ( Caught somewhat clearer by my eyes than thine ) With feeling joy ...
... leave behind me living works indeed ; For such a poem , such a painting , lives . What ? dost thou verily trip upon a word , Confound the accurate view of what joy is ( Caught somewhat clearer by my eyes than thine ) With feeling joy ...
Seite xli
... leave on one's mind . The alternative theory to that of Thorpe's ignorance would be that he sup- pressed the title by way of disguise . This also is a fairly legitimate supposition under the circumstances . Mr. Lee argues that for a ...
... leave on one's mind . The alternative theory to that of Thorpe's ignorance would be that he sup- pressed the title by way of disguise . This also is a fairly legitimate supposition under the circumstances . Mr. Lee argues that for a ...
Seite xlvii
... Leaves to his son all he had heaped together . Drayton compares his lady to a spendthrift heir because a spendthrift heiress is unknown . It must be admitted , then , that the identity of the rival . poet has not yet been satisfactorily ...
... Leaves to his son all he had heaped together . Drayton compares his lady to a spendthrift heir because a spendthrift heiress is unknown . It must be admitted , then , that the identity of the rival . poet has not yet been satisfactorily ...
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Häufige Begriffe und Wortgruppen
argument beauteous beauty's called Compare couplet Daniel dear death doth Drayton's sonnets edition Elizabethan epithet expression fair false faults fear friend's beauty give grace Hamlet hate hath heart heaven Henry Henry IV honour Julius Cæsar lady live looks Lord Love's Labour's Lost Lucrece means Merchant of Venice metaphor mind mistress Muse painted parallel passage patron Pembroke perhaps phrase poem poet's praise Quarto quatrain quotes reference rival poet seems sense Shakespeare Shakespeare's sonnets shalt Sidney Sidney's sight sing Sonnet 25 Sonnet 33 Sonnet 54 Sonnet 70 SONNETS 66 soul Southampton speak spirit suggests summer tell thee theory thine eyes things thou art thou dost thought thy love thy sweet thyself Time's tion tongue Troilus and Cressida true truth Twelfth Night Venus and Adonis verse Whilst word worth write written Wyndham youth ΙΟ
Beliebte Passagen
Seite 57 - tis true, I have gone here and there, And made myself a motley to the view,! Gored mine own thoughts,§ sold cheap what is most dear, Made old offences of affections new.
Seite 17 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste...
Seite 139 - Save base authority from others' books. • These earthly godfathers of heaven's lights, That give a name to every fixed star, Have no more profit of their shining nights, Than those that walk, and wot not what they are.
Seite 30 - Not marble, nor the gilded monuments Of princes, shall outlive this powerful rhyme ; But you shall shine more bright in these contents Than unswept stone, besmear'd with sluttish time. When wasteful war shall statues overturn, And broils root out the work of masonry, Nor Mars his sword nor war's quick fire shall burn The living record of your memory.
Seite 58 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence conies it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Seite lii - How could communities, Degrees in schools, and brotherhoods in cities, Peaceful commerce from dividable shores, The primogenitive and due of birth, Prerogative of age, crowns, sceptres, laurels, But by degree, stand in authentic place? Take but degree away, untune that string, And, hark, what discord follows ! each thing meets In mere oppugnancy...
Seite 19 - Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace: Even so my sun one early morn did shine With all-triumphant splendour on my brow; But, out, alack ! he was but one hour mine, The region cloud hath mask'd him from me now. Yet him for this my love no whit disdaineth; Suns of the world may stain when heaven's sun staineth.
Seite 39 - That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou see'st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest.
Seite 67 - Past reason hated, as a swallow'd bait On purpose laid to make the taker mad; Mad in pursuit, and in possession so; Had, having, and in quest to have, extreme; A bliss in proof, and proved, a very woe; Before, a joy proposed; behind, a dream.
Seite 29 - What is your substance, whereof are you made, That millions of strange shadows on you tend? Since every one hath, every one, one shade, And you, but one, can every shadow lend. Describe Adonis, and the counterfeit Is poorly imitated after you ; On Helen's cheek all art of beauty set, And you in Grecian tires are painted new: Speak of the spring and...