On PhotographyAnchor Books, 1990 - 208 Seiten [C]onsiders the relationship of photography to art, to conscience, and to knowledge ... There are illuminating discussions of the work of such important photographers as Nadar, Muybridge, Stieglitz, Atget, Paul Strand, Edward Weston, August Sander, Walker Evans, Cartier-Bresson, Robert Frank, Richard Avedon, Diane Arbus, and others. |
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abstract activity aesthetic American Antonioni Arbus's photographs artist Atget Bauhaus beauty become Brassaï CALIFORNIA/SANTA CRUZ UNIVERSITY camera Cartier-Bresson China claim close-up create CRUZ The University culture daguerreotype decades Dorothea Lange Edward Weston Evans event everything experience expression feel film flâneur Fox Talbot freaks graphs history of photography human ideal instant interesting John Szarkowski kind Lei Feng less look means ment modern modernist moral movie museum naïve nature never notion object painters painting past Paul Strand pher photogra photographic images photographic taste pictorial picture-taking portrait professionals raphers raphy real things realism reality record relation Sander's seems sense sensibility simply snapshots social society someone Stieglitz Strand subject matter surreal Surrealist SUSAN SONTAG taking photographs taking pictures tion tographer traditional truth turn ugly University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA viewer vision visual Walker Evans Warhol Weston Whitman's Wisconsin Death Trip