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" Harmony in grey and gold" is an illustration of my meaning — a snow scene with a single black figure and a lighted tavern. I care nothing for the past, present, or future of the black figure, placed there because the black was wanted at that spot. "
The Craftsman: An Illustrated Monthly Magazine in the Interest of Better Art ... - Seite 96
1904
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The Gentle Art of Making Enemies: As Pleasingly Exemplified in Many ...

James McNeill Whistler - 1904 - 370 Seiten
...tell. My picture of a " Harmony in Grey and Gold " is an illustration of my meaning — a snow scene with a single black figure and a lighted tavern. I...that spot. All that I know is that my combination of grey and gold is the basis of the picture. Now this is precisely what my friends cannot grasp. But...
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Studies in Seven Arts

Arthur Symons - 1906 - 456 Seiten
...his ' harmonies in grey and gold,' in which a black figure is seen outside a tavern in the snow, ' I care nothing for the past, present, or future of...there, because the black was wanted at that spot,' he was challenging, in that statement so simple as to be self-evident, a whole aesthetics, the aesthetics...
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Art World, Band 1

Fred Wellington Ruckstuhl - 1916 - 618 Seiten
...me. "My picture of a Tiarmony in grey and gold' is an illustration of my meaning. It is a snow scene with a single black figure and a lighted tavern. I...that spot. All that I know is that my combination of grey and gold is the basis of my picture. Now this is precisely what my friends cannot grasp." Had...
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The Collected Works of Arthur Symons, Band 9

Arthur Symons - 1924 - 262 Seiten
...his " harmonies in grey and gold," in which a black figure is seen outside a tavern in the snow, " I care nothing for the past, present, or future of...there, because the black was wanted at that spot," he was challenging, in that Statement so simple as to be selfevident, a whole aesthetics, the aesthetics...
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Great Works of Art and what Makes Them Great

Fred Wellington Ruckstull - 1925 - 742 Seiten
...me. My picture of a "harmony in grey and gold" is an illustration of my meaning. It is a snow scene with a single black figure and a lighted tavern. I...that spot. All that I know is that my combination of grey and gold is the basis of my picture. Now this is precisely what my friends cannot grasp. Had Whistler...
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Great Works of Art and what Makes Them Great: Reprint of Articles Published ...

Fred Wellington Ruckstull - 1925 - 746 Seiten
...me. My picture of a "harmony in grey and gold" is an illustration of my meaning. It is a snow scene with a single black figure and a lighted tavern. I...that spot. All that I know is that my combination of grey and gold is the basis of my picture. Now this is precisely what my friends cannot grasp. Had Whistler...
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The Administration of Aesthetics: Censorship, Political Criticism, and the ...

Richard Burt - 1994 - 420 Seiten
...versa. He extended this reversal of purpose and instrument even to the human subjects of his canvases: "I care nothing for the past, present, or future of the black figure, placed there because black was wanted at that spot" (GAME 126). This seems to approach a dehumanizing technological appropriation...
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Invisible Colors: A Visual History of Titles

John C. Welchman - 1997 - 476 Seiten
...altogether in a condition of formalist trans-temporal beatitude. This atemporality is emphasized by Whistler ("I care nothing for the past, present or future of the black figure.") and thus contrasts starkly with the Impressionist sensationalization of the effects of the moment....
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In the Face of Presumptions: Essays, Speeches & Incidental Writings

Barry Moser - 2000 - 236 Seiten
...to tell. "My picture of a Harmony in Grey and Gold is an illustration of my meaning— a snow scene with a single black figure and a lighted tavern. I care nothing," he says, "for the past, present or future of the black figure, placed there because the black was wanted...
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After Whistler: The Artist and His Influence on American Painting

Linda Merrill, Robyn Asleson, Lee Glazer, Lacey Taylor Jordan, John Siewert, Marc Simpson, Sylvia Yount - 2003 - 280 Seiten
...simple terms as "a snow scene with a single black figure and a lighted tavern." He went on to explain, "I care nothing for the past, present, or future of...there because the black was wanted at that spot. All I know is that my combination of grey and gold is the basis of the picture."' More than a declaration...
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