Elocution and ActionEdgar S. Werner publishing & supply Company (incorporated), 1897 - 234 Seiten |
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Seite 32
... melody . case , but in every syllable the moving up or down the scale . It is in this respect that speech differs most widely from song , where every note must be sustained on a level . This movement or bending of the voice on a word is ...
... melody . case , but in every syllable the moving up or down the scale . It is in this respect that speech differs most widely from song , where every note must be sustained on a level . This movement or bending of the voice on a word is ...
Seite 33
... melody of emphasis , the extent of the inflection will depend upon the strength of feeling behind it . Sometimes , as in great surprise , the voice sweeps through the compass of an octave on a single word . In ordinary speech , the ...
... melody of emphasis , the extent of the inflection will depend upon the strength of feeling behind it . Sometimes , as in great surprise , the voice sweeps through the compass of an octave on a single word . In ordinary speech , the ...
Seite 35
... melodic movement in phrases and sentences , especially in what are known as " final cadences , " should be allowed and encouraged when they are true to nature . Be careful , however , that they do not degen- erate into mannerisms or ...
... melodic movement in phrases and sentences , especially in what are known as " final cadences , " should be allowed and encouraged when they are true to nature . Be careful , however , that they do not degen- erate into mannerisms or ...
Seite 39
... Melody , dis- cussed in Lesson V. , and Inflection . Melody has to do with pitch - relation between different words or syllables ; Inflection notes the variation in pitch of the syllable itself . In the last example , for instance ...
... Melody , dis- cussed in Lesson V. , and Inflection . Melody has to do with pitch - relation between different words or syllables ; Inflection notes the variation in pitch of the syllable itself . In the last example , for instance ...
Seite 81
... melody . We have also the double circumflex , used in sar- casm , irony , and the like . Hath a dog money ? Is it possible A cur can lend three thousand ducats ? -Shakespeare . The rising or falling circumflex inflections are gov- erned ...
... melody . We have also the double circumflex , used in sar- casm , irony , and the like . Hath a dog money ? Is it possible A cur can lend three thousand ducats ? -Shakespeare . The rising or falling circumflex inflections are gov- erned ...
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2D CIT action Alexander Ypsilanti art thou attitude audience Auvergne bä bä bä bearing Bell body breath called chest circumflex climax consonants cried dotted notes downward emotion emphasis emphatic word EXAMPLES FOR PRACTICE EXERCISE expression falling inflection feel feet fingers folds forearm free foot gestures give glory hand hath head hear heaven inclination indicate instance larynx LESSON lips look Lord Mark Antony MARULLUS meaning melody mind Moss Rose mouth move movement nasal consonant natural NEPH never o'er object outward palm pantomimic Paul Revere pause phrase Pibroch pitch Play uppe Practise pupils relaxed rhythm rise SCROOGE sentence Shakespeare shoulders side sound speak speaker Speaker's Position speech stand star-spangled banner strong sweet syllable tcard teacher thee things tion tone tongue turn vocal voice vowel vowel-sounds weakness weight Wendell Phillips