Elocution and ActionEdgar S. Werner publishing & supply Company (incorporated), 1897 - 234 Seiten |
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Seite 11
... audience at ease . Without a correct and graceful position the gestures will be awkward and unnatural , and the voice will be constrained ; therefore , it is necessary to ac- quire this first of all . 11 FIG . 1 . EXERCISE I. Standing ...
... audience at ease . Without a correct and graceful position the gestures will be awkward and unnatural , and the voice will be constrained ; therefore , it is necessary to ac- quire this first of all . 11 FIG . 1 . EXERCISE I. Standing ...
Seite 14
... audience . Be sure that there is neither stiffness nor limpness anywhere ; try to have a springy , animated condition of the whole body , both in this and in all similar ex- ercises . Avoid nervous twitchings of the face and hands ...
... audience . Be sure that there is neither stiffness nor limpness anywhere ; try to have a springy , animated condition of the whole body , both in this and in all similar ex- ercises . Avoid nervous twitchings of the face and hands ...
Seite 18
... audience , as if they were your own . EXAMPLES FOR PRACTICE . No- Point out the errors in the following examples . tice that most of these and similar mistakes arise from the bad habit of " sing - songing " poetry , instead of reading ...
... audience , as if they were your own . EXAMPLES FOR PRACTICE . No- Point out the errors in the following examples . tice that most of these and similar mistakes arise from the bad habit of " sing - songing " poetry , instead of reading ...
Seite 74
... audience , or even when re- hearsing in private , we become self - conscious and con- strained . The practice of exercises in pantomimic ex- pression , however , enables us to feel that sense of re- pose and freedom that always comes ...
... audience , or even when re- hearsing in private , we become self - conscious and con- strained . The practice of exercises in pantomimic ex- pression , however , enables us to feel that sense of re- pose and freedom that always comes ...
Seite 86
... audience in a timid frame of mind would naturally try to hide his condition ; and , in so doing , would stand in a very strong attitude , as much as to say : " I am not afraid ; " while one accustomed to public appearance , and fully ...
... audience in a timid frame of mind would naturally try to hide his condition ; and , in so doing , would stand in a very strong attitude , as much as to say : " I am not afraid ; " while one accustomed to public appearance , and fully ...
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2D CIT action Alexander Ypsilanti art thou attitude audience Auvergne bä bä bä bearing Bell body breath called chest circumflex climax consonants cried dotted notes downward emotion emphasis emphatic word EXAMPLES FOR PRACTICE EXERCISE expression falling inflection feel feet fingers folds forearm free foot gestures give glory hand hath head hear heaven inclination indicate instance larynx LESSON lips look Lord Mark Antony MARULLUS meaning melody mind Moss Rose mouth move movement nasal consonant natural NEPH never o'er object outward palm pantomimic Paul Revere pause phrase Pibroch pitch Play uppe Practise pupils relaxed rhythm rise SCROOGE sentence Shakespeare shoulders side sound speak speaker Speaker's Position speech stand star-spangled banner strong sweet syllable tcard teacher thee things tion tone tongue turn vocal voice vowel vowel-sounds weakness weight Wendell Phillips