Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 Seiten This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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Seite 13
... sequence ( 77 , 122 , 145 , 153 , and 154 ) . Finally , there are those sonnets whose sentiments seem out of place with prior sonnets , particularly Sonnets 53 and 105 ( see Auden's discussion in Burto [ 1964 , xli - xliii ] ) . Richard ...
... sequence ( 77 , 122 , 145 , 153 , and 154 ) . Finally , there are those sonnets whose sentiments seem out of place with prior sonnets , particularly Sonnets 53 and 105 ( see Auden's discussion in Burto [ 1964 , xli - xliii ] ) . Richard ...
Seite 14
... sequences of any number of Shakespeare's contemporaries , Spenser included , and hardly raise an eyebrow . Yet Shakespeare's sonnet sequence is so imbued with a feeling of an underlying story that the sense that there is a single cor ...
... sequences of any number of Shakespeare's contemporaries , Spenser included , and hardly raise an eyebrow . Yet Shakespeare's sonnet sequence is so imbued with a feeling of an underlying story that the sense that there is a single cor ...
Seite 110
... sequence . Seymour - Smith suggests a physical attraction between the friends , but I find this reading difficult to reconcile with the entire sequence , both before and after this sonnet . Ingram and Red- path comment : " We agree with ...
... sequence . Seymour - Smith suggests a physical attraction between the friends , but I find this reading difficult to reconcile with the entire sequence , both before and after this sonnet . Ingram and Red- path comment : " We agree with ...
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Shakespeare's Sonnets: With Three Hundred Years of Commentary William Shakespeare Eingeschränkte Leseprobe - 2007 |
Häufige Begriffe und Wortgruppen
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM