Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 Seiten This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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Seite 24
... Rhyme Kerrigan discusses rhyme extensively , relying on the work of Fausto Cercig- nani ( 1981 ) in preference to Kökeritz . It is obviously difficult to determine how words were pronounced four hundred years ago , but we have both ...
... Rhyme Kerrigan discusses rhyme extensively , relying on the work of Fausto Cercig- nani ( 1981 ) in preference to Kökeritz . It is obviously difficult to determine how words were pronounced four hundred years ago , but we have both ...
Seite 25
... rhymes are consistent . However , Kökeritz lists rhyme pairs in the plays that do not conform to a consistent pattern . Thus , “ dignity " rhymes with “ die ” in Sonnet 94 , but with “ he ” in Cymbeline 5.4.53 ; " jollity " rhymes with ...
... rhymes are consistent . However , Kökeritz lists rhyme pairs in the plays that do not conform to a consistent pattern . Thus , “ dignity " rhymes with “ die ” in Sonnet 94 , but with “ he ” in Cymbeline 5.4.53 ; " jollity " rhymes with ...
Seite 134
... rhyme scheme which “ is unique in the Sonnets , the first line duplicating the rhyme in line 12 ... the second dupli- cating the rhyme in line 10. . . —an unusual license , which makes one won- der whether what we have here is not a ...
... rhyme scheme which “ is unique in the Sonnets , the first line duplicating the rhyme in line 12 ... the second dupli- cating the rhyme in line 10. . . —an unusual license , which makes one won- der whether what we have here is not a ...
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Shakespeare's Sonnets: With Three Hundred Years of Commentary William Shakespeare Eingeschränkte Leseprobe - 2007 |
Häufige Begriffe und Wortgruppen
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM