Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 Seiten This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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... poem . The poet's pen writes the poem , which creates a portrait of the beloved for all Time ( the poem is Time's paintbrush ) , where , as VERITY ( 1890 ) says , “ Time was often used where we say the times . " With this reading ...
... poem . The poet's pen writes the poem , which creates a portrait of the beloved for all Time ( the poem is Time's paintbrush ) , where , as VERITY ( 1890 ) says , “ Time was often used where we say the times . " With this reading ...
Seite 157
... poem " of reproach and suspicion behind an " abjuring - of - rights poem . " She sees , as a result , " a double hologram - image , winking on and off as we tilt in one direc- tion ( toward suspicion ) or the other ( toward abjectness ) ...
... poem " of reproach and suspicion behind an " abjuring - of - rights poem . " She sees , as a result , " a double hologram - image , winking on and off as we tilt in one direc- tion ( toward suspicion ) or the other ( toward abjectness ) ...
Seite 370
... poem in terms of its tone , and it probably intends a simple and comparatively straightforward mean- ing ... " In ... poem , we are left with- out a poem . Sonnet 151 is not about these statements , it is about the context within which ...
... poem in terms of its tone , and it probably intends a simple and comparatively straightforward mean- ing ... " In ... poem , we are left with- out a poem . Sonnet 151 is not about these statements , it is about the context within which ...
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Shakespeare's Sonnets: With Three Hundred Years of Commentary William Shakespeare Eingeschränkte Leseprobe - 2007 |
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Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM